Song Quotes
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Who's to know what makes a bird wake up and decide to change its song? It was written that our world would change and it changed.
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When the Beatles wrote 'Paperback Writer,' it couldn't have been the same old thing. You can hear so many influences in it, from the blues to Bach, and it's not just verse, chorus, verse, chorus, bridge chorus. They start off singing a cappella, almost like a Bach chorale, and the song goes into this bluesy guitar riff.
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Christmas may not bring a single thing; still, it gives me a song to sing.
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When you write a song that is so personal to yourself, it's really hard to picture anybody else understanding it when you're singing it. There's things that are very broad and universal topics. Those are the songs that might work for others.
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'The Taxi Ride,' from my second album, is one people want to hear a lot. I'm consciously trying to walk on the sunny side of the street, to really lift myself into a place of greater positivity, and that's a sad song.
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Oftentimes, when music is just blasting out it seems like it's overcompensating for something missing in the song's structure. When I think of the music that I listen to constantly, it's never like an assault.
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I had done a cover of the song 'Nenani Neevani' and put it up on Sound Cloud, which Sunny M.R., the music composer of Rowdy Fellow, came across. He liked it and approached me for 'Yedho.'
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My last public performance for money was in 1967. For free, it was 1972, with the exception of two little one-shot, one-song things. But that's just for friends, out of friendship for the people involved, and also because it was fun.
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Men are so inclined to content themselves with what is commonest; the spirit and the senses so easily grow dead to the impressions of the beautiful and perfect, that every one should study, by all methods, to nourish in his mind the faculty of feeling these things. ...For this reason, one ought every day at least, to hear a little song, read a good poem, see a fine picture, and, if it were possible, to speak a few reasonable words.
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As soon as that little "ba-da-da-dink-dink" at the beginning of "Under the Sea" starts I think to myself: "Here we go! Let's do it!" When I first got the role, I was very intimidated because people have high expectations. But I have nothing to prove only to share. I'll do my best interpretation of what these songs should sound like in their current incarnations and it's quite an honor.
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I've only covered a few songs because I feel that if you're not going to go beyond the original artist in some way, then don't disrespect what they created.
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'Rise Up' is definitely my baby. I think it was a gift because, you know, it's like God just spoke to me and wrote that song. It's very powerful.
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A song isn't finished until it's played live, and then it moves on.
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So many good songs get written fast, because you know exactly what has to work.
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Crossfire's done very well. I knew it was a great song, but I didn't know it would be so big.
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We went for the best overall feel on each song. There are no musical overdubs at all. It's a true live record; it's one of the few true live records out there.
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I just feel like this guy who's visiting the music business over the weekend. Every time I write a song, I feel like it's never going to happen again.
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This is sad. I just think it’s a little ridiculous we are still only looking at the surface of one another. Red hair? Blue hair? Pink? Blonde? Short? Long? Whatever. We might as well shave our heads. Hair has nothing to do with the reason we playing music. It’s a style. Something that will never last as long as the songs we play and the words we sing. Listen up ladies in bands, I’m so proud to be one of you and I don’t care if we all look exactly alike or if we are all carbon copies of each other. We have things to say and it’s up to us to get people to not just look but to LISTEN!
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Life's too short to sit through songs you don't love.
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Whenever I like a new song, I play it on loop and dance to it. That's my therapy.
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It was a slow process. You gotta remember I hadn't recorded a song sober in seven years. So it took me awhile to even feel like I could record a song sober.
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I would get records by Earl Scruggs... I would tune my banjo down and I'd pick out the songs note by note. Learned how to play that way. I persevered. There was a book written by Pete Seeger, who showed you some basic strumming and some basic picking... And I kind of worked out my own style of playing.
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Some things don't last forever, but some things do. Like a good song, or a good book, or a good memory you can take out and unfold in your darkest times, pressing down on the corners and peering in close, hoping you still recognize the person you see there.
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While I have not ruled out the possibility of doing music, what I don't want to do is go onstage and perform old songs. I do, all the time, but I don't think it is artistically brave.
