David Longdon Quotes
Progressive rock to us is extended song form. It allows us to develop themes and an album in our genre could be likened to a writer writing a novel rather than a short story.
Quotes to Explore
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When you're in a songwriting class, and you write a song, and you hand it in to a teacher to grade, I'm still going to say that it's a really awesome song whether I got an A or a D. I learned to stick to my guns and take the tools as tools and not as rules.
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If at noon you sit down and there's just silence or blank tape, in an hour if you have a song, that didn't exist an hour ago. Now it exists and it might exist for a long time. There's something empowering about that.
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I listen to crazy, robust rock music where they sing their faces off, and soul music, which can be similar.
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Honestly, there are so many things about structuring a story for film and telling a story for film that are really different from doing radio.
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I never want to write a book just to tell a story. There is always something deeper going on.
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I think I've played a lesbian about five times. The first one was with Helen Baxendale in a drama called 'The Investigator,' about the conditions lesbians had to live under in the army in Britain, which was based on a true story.
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Very often, writing a song is a process that happens to me rather than one that I instigate. I feel a song coming on and, like a sneeze; I wait for it until it comes.
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There seems to be an inclination among rock musicians to be very carefree with money, but I negotiate the best flight and hotel deals on our tours to maximise the band's income - I don't want too see too much taken off the top line.
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If a film is suitable for family viewing, it should remain so, and if a film has some adult content, it should remain so, and these genres should never be mixed and spoil the vision of the story teller.
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Certain of Poe's tales possess an almost absolute perfection of artistic form which makes them veritable beacon-lights in the province of the short story.
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I did a song in eight minutes. I thought everybody could write songs that fast. But working with a lot of them, they don't.
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The thing with me is, about that - about rock and all that - years and years of crate-digging, listening to old music, you kind of start to connect the dots. And I was seeing the thread that was connecting everything together, which is pretty much the blues. And everything soul or funk kind of starts with that.
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I made a point when I made the Ugly Casanova record to not write a song and then say, 'This is a Modest Mouse song' or 'This is an Ugly Casanova song.' The people who were open to it not being a Modest Mouse record liked it.
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The people who knew me and knew my work and trusted me, they knew then as they do now that I've never fabricated or plagiarized a story. People who know me know I didn't do this.
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Being able to fantasize for a couple of days at being a rock singer surpassed most things I've done on stage.
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People like it when others are gossiping. When you hear a story about someone's demise or some big faux-pas they made, everyone wants to tune into it, because it's nice to know that someone else made a mistake. It makes you feel elevated for a moment.
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It's kind of exhilarating, walking through a crazy, insane mob. The most miraculous process is watching a song go from a tiny idea in the middle of the night to something that 55,000 people are singing back to you.
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In my next life, I'm going to be a rock star. I was a ballerina in my last life.
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Sometimes the song title comes with the songs, other times you just sorta make something up afterwards.
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In the story of the Good Samaritan, everybody knows the robber is bad--but doesn't Jesus also imply an indictment on the priest and Levite? . . . The priest and Levite are over here. They are 'righteous' in a superficial way. They don't rob anybody. They're not like that lousy criminal who is over here, on the bad end of the line. Do you see it? That's the line we modern Christians try to live on the right end of it . . . The Samaritan traveler lives on a higher level, altogether. The issue isn't who is wrong or righteous; that's obvious. The issue is who is truly good.
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In my 10 years, I never put a girl that was too skinny in French 'Vogue.'
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I mean, comedy's hard. If you go back and look at the first season of 'Seinfeld,' it's a work in progress and that's what happens. It just takes time for people to figure each other out, and figure out timing, and to develop creatively with the writers.
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Progressive rock to us is extended song form. It allows us to develop themes and an album in our genre could be likened to a writer writing a novel rather than a short story.
