Song Quotes
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I've written probably over 200 songs that have a verse and a chorus and that's it.
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I have a lot of interest in interior rhyming; not just rhyming at the end of the lines, but playing around with rhymes within the lines, playing with where the syllabic emphases in the sentences are, lining those up at strange moments in the line of the song. I’m not sure if that comes across or not.
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The love in the Midwest is way different from New York - people accepted me like one of their own, and they showed me a bunch of love, so I did a big song dedicated to them.
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I don't think it's an artist's responsibility to be political all the time. I think your first responsibility as an artist is to make music that people will listen to and enjoy. However, I think that when you are able to say something that is moving and put it in a great song, then that is even better.
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I've been writing songs since I was 14 years old, and that's my true love.
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Then the song of a whitethroat, pure and ethereal, with the dreamy quality of remembered joy.
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This is sad. I just think it’s a little ridiculous we are still only looking at the surface of one another. Red hair? Blue hair? Pink? Blonde? Short? Long? Whatever. We might as well shave our heads. Hair has nothing to do with the reason we playing music. It’s a style. Something that will never last as long as the songs we play and the words we sing. Listen up ladies in bands, I’m so proud to be one of you and I don’t care if we all look exactly alike or if we are all carbon copies of each other. We have things to say and it’s up to us to get people to not just look but to LISTEN!
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Crossfire's done very well. I knew it was a great song, but I didn't know it would be so big.
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Always I shall be one who loves the wilderness: Swaggers and softly creeps between the mountain peaks; I shall listen long to the sea's brave music; I shall sing my song above the shriek of desert winds.
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No matter how close we got to a station or a disc jockey ... they could disappear into the ether without so much as a wave goodbye or a farewell song.
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Oftentimes, when music is just blasting out it seems like it's overcompensating for something missing in the song's structure. When I think of the music that I listen to constantly, it's never like an assault.
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A lot of drummers, obviously they want to show off and do all these fills and everything, but the main objective is to play for the song.
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Christmas may not bring a single thing; still, it gives me a song to sing.
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As a horn player, the greatest compliment one can get is when a person comes to you and says, 'I heard this saxophone on the radio the other day and I knew it was you. I don't know the song, but I know it was you on sax.'
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A lot of artists come into the game with a radio record, but they don't establish the fans as fans of their style of music. It's just that they're a fan of that song, and after that song plays out, it's real hard for 'em.
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Everyone I have lost in the closing of a door the click of the lock is not forgotten, they do not die but remain within the soft edges of the earth, the ash of house fires and cancer in sin and forgiveness huddled under old blankets dreaming their way into my hands, my heart closing tight like fists. - "Indian Boy Love Song #1
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A lot of big whoever producers, they come with a song and they say, 'Sing this,' and I'm not that girl.
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Every video you see in the movie we have an entire video of it that will be on the DVD, so the whole video for African Child, the whole video for Super Tight, you know the Jackie Q songs.
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I really try to be aware of the purpose of each song. There are songs on my record that I want people to have sex to, and songs people can listen to when they're pissed off.
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It’s a song about first relationships and letting go. It’s very rare for a relationship to withstand the Earth’s gravitational pull and where it’s going to take people and how they’re going to grow. I’ve heard it said that you can’t really have a true love unless it was a love unrequited. It’s a harsh one, because then your truest one is the one you can’t have forever.
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I would get records by Earl Scruggs... I would tune my banjo down and I'd pick out the songs note by note. Learned how to play that way. I persevered. There was a book written by Pete Seeger, who showed you some basic strumming and some basic picking... And I kind of worked out my own style of playing.
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I had done a cover of the song 'Nenani Neevani' and put it up on Sound Cloud, which Sunny M.R., the music composer of Rowdy Fellow, came across. He liked it and approached me for 'Yedho.'
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Every time I finish a song... most of the time it's in my own head, like this sounds too much like a Townes Van Zandt song, or whoever. I realize there are so many melodies and chord progressions in pop and rock music that are so similar that you can kind of trace it back to other things. Most of the time it's just in your head.
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I worked at Johnny Rockets. For one day. I had to quit because they said that anytime a particular song comes on the jukebox, all the servers have to stop and do this special sing-along and dance, and I just knew that I wouldn't be returning.
