Song Quotes
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I would never put my songs in a commercial.
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To me, a song is a song when you can sit in a room and just sing it from end to end.
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I think the music should definitely underscore the sentiment of the song, and it can work for or against it.
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You are the song of every bird, you are the poet's every word, every artist's picture, every writer's play.
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Every song falls short of the glory of what a song could be. That's why the urge is there to start again and yet again. Often it's the fault of rhyme. I've discovered a hundred times that there just aren't enough rhymes to say what I wanted to say, so I said something else instead. Sometimes it was a better thing, but the thing I meant to say went unsaid. So there's an opening for another song.
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For three things I thank God every day of my life: thanks that he has vouchsafed me knowledge of his works; deep thanks that he has set in my darkness the lamp of faith; deep, deepest thanks that I have another life to look forward to--a life joyous with light and flowers and heavenly song.
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An artist creates songs and timeless moments that are reflections that impact culture, and you can do that in any way - with guitars, ukelele, a computer. So, that will never die. It's always the artist behind the computer, not the computer.
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Most country songs, certainly all the stuff I've written, are stories driven by characters.
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It always disappoints me when I go to a concert and they don't play my favorite song, or at least one of their biggest hits.
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I've learned that people latch onto labels and stereotypes. There was a period when I was asked in every single interview how I liked being the new Frank Sinatra... I think people will soon realize that I do a lot more than interpret old songs.
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I tried to embrace the concept of the sampler as an instrument, looking at how to take it artistically to another place where it can be appreciated, more than just taking someone's song and doing a 4-bar loop.
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The real issues I don't think most people touch. The Clinton jokes are all about Monica Lewinsky and all that stuff and not about the important things, like the fact that he wouldn't ban landmines...I'm not tempted to write a song about George W. Bush. I couldn't figure out what sort of song I would write. That's the problem: I don't want to satirize George Bush and his puppeteers, I want to vaporize them. And that's not funny....OK, well, if I say that, I might get a shock laugh, but it's not really satire.
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To really be tortured by a song, it needs to be more than just something you don't like or don't get; it has to make your skin crawl by getting under it. Strangely, that last clause could describe provocative or daring music, as well.
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I don't really have a ritual. On the car rides over to the racetrack, I just make sure that the right songs are on.
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I like challenging myself. I like the challenge of rapping to fast beats, rapping to beats that are super slow, whatever. I like the challenges, so I'm not afraid to take on any piece of music and create a song to it if it feels right to me.
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If I love a song I hope to find a way to get other people to love it too.
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Other memories stick, no matter how much you wish they wouldn’t. They’re like a song you hate but can’t ever get completely out of your head, and this song becomes the background noise of your entire life, snippets of lyrics and lines of music floating up and then receding, a crazy kind of tide that never stops.
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The song still remains which names the land over which it sings.
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Writing a song isn't that hard. Writing a good song is difficult. Let's face it, we're faced with taking a complex feeling or event, making words rhyme and saying exactly what we want them to say in a short amount of time... the primary reason for keeping it short and to the point is to be certain that you're not boring your audience.
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The whole point of me doing a Christmas record and what I centered it around was the song 'Christmas with You' from the point-of-view of the soldiers in Iraq.
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I feel fortunate that I've had a lot of songs recorded by other people, because I take my songwriting very seriously. It's only those people that have followed me over the years and really know my work that know how serious I am about all of it - including the way I look. You can't take my high heels from me, you can't have my long fingernails, you can't take all this hair from me, because it's part of this thing that I've become. I wouldn't want to give any of it up. Do I have to be ugly to be a songwriter? This is the way I am, and it's what I choose to be.
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'Europe '72' was a super influential record full of fantastic songs and amazing experimental musicianship. I always valued both of those aspects in what Sonic Youth has done through the years - being able to get very abstract and very concrete within the same song.
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I love rapping. I do. My styling's similar to Missy Elliott - I think she's so dope. In a weird way, that's how I first learned the American accent: doing American rap songs.
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Perhaps when the light of heaven shows us clearly the pitfalls and dangers of the earth road that led to the heavenly city, our sweetest songs of gratitude will be not for the troubles we have conquered, but for those we have escaped.
