Song Quotes
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I tried to embrace the concept of the sampler as an instrument, looking at how to take it artistically to another place where it can be appreciated, more than just taking someone's song and doing a 4-bar loop.
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I think there are people that still hold on that like Heavy Metal like a bit of what is going on now, but it isn't all of what they love and which goes on and it's the same with me... There's still a lot of Ray Charles, Sam Cooke songs that I still happen to like a lot, but then there are a lot of Madonna and... a lot of the female singers that I like as well, but it's like liking it with different emotions, you know.
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I have been writing mainly fiction. Occasionally there will be a song that hangs around the truth a little more than the rest, but even with those I end up fudging the facts just to keep it from going stale.
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I don't keep up with a lot of trends. I've never been a fashion horse. I'm so busy writing my songs, trying to maintain my business, and all the new things that come along. I stay working all the time.
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'Europe '72' was a super influential record full of fantastic songs and amazing experimental musicianship. I always valued both of those aspects in what Sonic Youth has done through the years - being able to get very abstract and very concrete within the same song.
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It's all very hazy to me now. I'm glad I made it through that stage. It got a little dicey. There were some drugs going on. I remember singing one song for about a day and a half.
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If I love a song I hope to find a way to get other people to love it too.
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I'm sure there's going to be some material from This Is Not Going To Be Pretty. I usually use that song to just introduce myself to the audience, although the patter in between the song is always different.
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It was during this as a kid time that I came out of my shell vocally and performance wise, I learned how to really and truly sing in a different way.... my way. It was an amazing experience because I also realized my lifelong dream - to sing my own songs...I have something to say and it was a great release for me to share that part of myself with others.
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I write songs all the time in my room. I play them for my friends and family.
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The process depends on the situation, and I don't think there are any two songs that have gone exactly the same way... well, actually, that's not true.
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I've learned that people latch onto labels and stereotypes. There was a period when I was asked in every single interview how I liked being the new Frank Sinatra... I think people will soon realize that I do a lot more than interpret old songs.
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I feel that music is more flexible than language and your song, or "piece" is only as flexible as your least flexible component.
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I write a little something every day, even though I don't write a song [every day]. Everything inspires me. I'll come up with a line, or somebody will say something that will trigger something.
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I think there's a weird self-affirmation thing that happens in popular music in general. It seems like every song I hear on the radio is like, "Listen to me roar!" or "This is my fight song!"
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I always liked performing in front of my parents' friends. My dad bought me a karaoke machine, and I would put on a Michael Jackson song like 'Thriller,' and I would come out with, like, a hat and a jacket, and, like, moonwalk in my socks, so I was always performing.
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My songs are the door to every dream I've ever had and every success I've ever achieved.
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I'm so thankful I can write songs. I can capture all those memories in my songs and keep those memories alive.
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Shut the door, they're coming through the window, shut the window, they're coming through the door," are the words to an old song. They fit my lifestyle with newly arriving butcher/censors every month. Only six weeks ago, I discovered that, over the years, some cubby-hole editors at Ballantine Books, fearful of contaminating the young, had, bit by bit, censored some 75 separate sections from the novel. Students, reading the novel which, after all, deals with censorship and book-burning in the future, write to tell me of this exquisite irony.
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Other memories stick, no matter how much you wish they wouldn’t. They’re like a song you hate but can’t ever get completely out of your head, and this song becomes the background noise of your entire life, snippets of lyrics and lines of music floating up and then receding, a crazy kind of tide that never stops.
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Writing a song isn't that hard. Writing a good song is difficult. Let's face it, we're faced with taking a complex feeling or event, making words rhyme and saying exactly what we want them to say in a short amount of time... the primary reason for keeping it short and to the point is to be certain that you're not boring your audience.
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My muse appears to me in a different form every time a new idea for a song is created. Sometimes I'm inspired by music or film, but more typically it's my surroundings that truly inspire me. Family, work, school, the city I live in, the books I read... All of these things inspire the creation of a song.
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All comics want to be musicians. There's a part of me that wants to be a serious musician. I love songs about heartache and heartbreak.
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When you're DJing, there are songs I love to play, but I know people are going to walk off. It doesn't matter what I like. You have to be able to play the popular song and slip in one of yours, in such a way that they don't notice it. You've got them in such a roll that you get them back into what they think they like.
