Richard Sherman Quotes
Sometimes, months elapse before we've completed the song completely. There's no set rule. Something inside of you says - 'now you can present it!' If one of us feels it's not quite right, lyrically or melodically, we don't present it.
Quotes to Explore
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I'm a very good thinker, but I sometimes grab the wrong word. I say something I didn't think through adequately. I mean, I don't type my speeches, then sit up there and read them off the teleprompter, you know. I wing it.
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You can't try and make something you think someone else will like. You can only make what you like. How can you make a song that Yo-Landi Visser likes? You don't know me. You'll never understand me.
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There's something different that happens when you're writing a song for your own record that you know you're going to sing.
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I sometimes read on the subway, but I'm a hopeless eavesdropper and get easily distracted by strangers' conversations.
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I wouldn't want to cover a Hank Williams song in a country-western way. It doesn't occur to me instinctually to re-create productions. I'm interested in re-creating songs. Putting different clothes on them.
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Madonna can still produce a catchy pop song, but she hasn't expanded her artistic vocabulary since the 1990s. Her concerts are glitzy extravaganzas of special effects overkill. She leaves little space in them for emotional depth or unscripted rapport with the audience.
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People say, 'How does having kids change your writing? Do you see the world through their eyes?' No - you just become a faster songwriter... In the old days, you'd be like, 'Oh I'm gonna work on this song for a few days.'
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The first album I ever bought with my own money was 'Ten.' Every single song reminds me of my childhood.
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For a movie, you have to make sure the lyrics are consistent with the rhythm that is given to you. But, at times, during the song's recording, you find out that your words are not appropriate for the track, and so you have to change them.
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Sometimes you should just put down the computer, the phone, and walk away.
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I had just lost my dad and I remembered all the songs we used to go and hear at concerts, and the records around the house and sometimes we'd play together.
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Fear can make all of us do the wrong things sometimes.
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The song 'What Goes Up' was inspired as I was playing the piano and reminiscing about the Spaceship One launches I witnessed in the Mojave desert. It is an awesome thing to comprehend the magnitude of what a human being dreams and imagines can be realized.
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Sometimes a faint voice based on instinct resonates far more strongly than overpowering logic.
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When I write, I don't have any expectation of what kind of song it will become or who it might reach.
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But when you hear the complete album, it gets dark, really straight-up rock, with some really intimate moments with just me and the piano. It's not completely me because there are parts of me that aren't on that song, that are on the album.
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I wrote a techno song after I was deported. I was in America for a little bit, but then I was deported back to Germany. I was very sad.
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United States! the ages plead, - Present and Past in under-song, - Go put your creed into your deed, Nor speak with double tongue.
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This is what I have discovered - and it has been a gift in itself - that books live over and over again in different people's minds. That I might mean one thing as I write, but a reader's experiences will take it somewhere else. That is like a conversation, I think. It is a true connecting up.
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In the U.S. the powerful critics of austerity such as Paul Krugman and Robert Reich rightly identify the decline of 'labor' as a problem, and renewing trade unionism part of the solution. Our opportunity is to make the same case in the UK.
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Inaction breeds doubt and fear. Action breeds confidence and courage. If you want to conquer fear, do not sit home and think about it. Go out and get busy.
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Dance, like music, is the expression of the human spirit. Dance is 'visual music'.
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Max Askeli started this very good magazine The Reporter. In fact, Meg Greenfield, who's now the editorial page editor of The Washington Post, was one of the star reporters there.
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Sometimes, months elapse before we've completed the song completely. There's no set rule. Something inside of you says - 'now you can present it!' If one of us feels it's not quite right, lyrically or melodically, we don't present it.
