Song Quotes
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It's not that I have resisted songwriting, it's just not something I felt I have had to do. I've just not woken up and thought, I must do this. But I have often heard music that I have instantly felt 'I have to sing that song'.
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I grew up playing a lot of R&B music, and I wanted to do a very R&B type song. And I like the 'nah-nah-nahs'. I always wanted a song with those in.
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And in that instant, nothing else mattered. Not the song, not the place, not the other couples around him. Only this, only her.
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My whole teaching consists of two words, meditation and love. Meditate so that you can feel immense silence, and love so that your life can become a song, a dance, a celebration. You will have to move between the two, and if you can move easily, if you can move without any effort, you have learned the greatest thing in life.
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'Planet Caravan' by Black Sabbath is such a delicate song from such a surprising place.
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I sit and I write automatically. I don't really try to write. My subconscious mind takes over and writes the songs for me. Songs come very easily for me. When I'm inspired, it takes me 20 minutes to write a song.
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I never try and force-feed any song idea or lyrical message. It's really what's on my mind and what comes out of me. And a lot of these lyrics are metaphors for specific life situations that I've been through, and in most cases, the struggles. Something about human beings wearing sadness heavily on their sleeve inspires me to make something uplifting about the situation.
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We human beings are tuned such that we crave great melody and great lyrics. And if somebody writes a great song, it's timeless that we as humans are going to feel something for that and there's going to be a real appreciation. 1
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Jason Mraz, and the new James Blunt song is the worst thing that has ever been created on the face of the earth.
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Without a song the day would never end Without a song the road would never bend When things go wrong a man ain't got a friend Without a song
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I find it quite boring when you're listening to radio, and it's the same kind of voice that's on every song on the radio. You can't really tell a lot about that singer as a storyteller and about the singer from what they're singing.
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In whichever way my music can get out there, I'm just like, 'Sure.' It's also through the TV synch licenses that I've been surviving. I don't really make money through record sales. I used to be really picky: 'No, I don't want it to be the song of a commercial,' but nowadays it's what you need to do to get the song out as much as you can.
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I can write for weeks or months sometimes and edit it down to a song. I feel like it's a piece of music that will hopefully stand the test of time and hopefully capture a moment in history if I'm doing it correctly and honestly.
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In law also the emphasis makes the song.
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I was carrying my friend in his casket to put him in the hearse, and I was thinking, 'I need to write a song for this guy, because he always told me I would have a No. 1 song.'
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There have always been jokes all over our songs; I originally started writing lyrics to make my friends crack a smile, which is difficult.
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I've always wanted to release a song that could actually touch someone and help them through a tough time.
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I like work, I like song writing, and I like the history of Atlantic Records. They've sat in the studio with so many artists - like Ray Charles, for example - and created something amazing. As a label, they seem to be great at growing bands rather than telling you how to do it.
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Nothing is more frustrating to me than putting a song on an album and regret putting it on there. I'm excited that there are no songs on 'Tailgates & Tanlines' that I'm iffy about.
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If you really want a radio station to play your song, go to that radio station every day with that song in your hand and say, 'Please play it.'
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I think pop culture is the greatest subject matter out there - 'Other People's Lives,' as we wrote about on the last Duran Duran album. Most ideas for great songs come from real situations, something your friend said to you the night before, the girl that just left, or something traumatic in your life.
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A song like 'Tears Dry on Their Own' is really sad, but it's hopeful, too - that was my theme song for the first boy who broke my heart.
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I am not a good enough writer to have an agenda or come up with a message and try to put it into a song. It's more like you write what comes to you... You try to reflect the mood of the songs.
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While I'm singing complete gibberish to my son when he's in his crib, I'll occasionally think, 'This song I'm making up is actually pretty good.'
