Song Quotes
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You just do you like when you're doing any other song. It's nothing different. Some people are like "How's it like working with Kendrick Lamar?" and really, it's like working with anyone else that I work with.
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Before you worry about what genre it is, about whether it's a loop or a drum, it's about what suits the song. It's using what's within your reach, but also reaching for everything you can. I don't know if I always get it right, because I don't know every sound yet.
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I got so excited about it. I was like, 'Yes! I won a Grammy!' And then my manager was like, 'No, you did not win a Grammy. You were part of a song that won a Grammy. Rihanna won a Grammy.'
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Twenty-seven people sang 'Wind Beneath My Wings' before I got around to it. A lot of people saw the movie that I sang it in, Beaches, and what they came away with was that song. They turned to their loved ones and said, 'You know, you are the wind beneath my wings!' The song expressed how they felt in a way a simple 'I love you' would not have.
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I have found life an enjoyable, enchanting, active, and sometime terrifying experience, and I've enjoyed it completely. A lament in one ear, maybe, but always a song in the other.
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It started when i heard your song of love Pouring down like honey from above I started to spin, i started to move Just like a needle that is sticking through the same old groove
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I've always wanted to title an album 'Illinois.' I wrote the song, which was a very special song to me. The song isn't exactly about being from there, even though I am.
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I will say it is funny that writing a song about not wanting to entertain people is what got me a career in entertainment.
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I always feel a rise in my scalp or in the backs of my wrists when something is special, whether it be a song or a man.
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If you think of the way Howlin' Wolf made records, you get the feeling there wasn't a production manager onsite, or a publicist having his say on how he should sing the songs. When you listen to his records, you feel like you're tapping into his voice.
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My hope is that 'Blk Girl Soldier' is a freedom song for black women today who are fighting the macro- and microaggressions of daily life in our city/country/world.
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It's so important to me that I feel like I'm doing something that's never been done before, whether that's in the show, or I'm writing a song. I can exist in this little box here, but I have to do something new with it.
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My Soul gave me good counsel, teaching me that the lamp which I carry does not belong to me, and the song that I sing was not generated from within me. Even if I walk with light, I am not the light; and if I am a taut-stringed lute, I am not the lute player.
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Billy Paul's song is hard to beat. I made it my own with a couple of little things, but I wasn't really going to fool with his thing. I ain't crazy.
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My song are more about the practical message of not wearing ourselves out just to get rich and looking at what life is really about and enjoying each and every day as opposed to the opposite of that. About living your life in a freer sense and not being bound by what people think of you and looking forward to seeing the grander scheme of who God is, what He's done and what He's doing and what He'd going to do.
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I never try and force-feed any song idea or lyrical message. It's really what's on my mind and what comes out of me. And a lot of these lyrics are metaphors for specific life situations that I've been through, and in most cases, the struggles. Something about human beings wearing sadness heavily on their sleeve inspires me to make something uplifting about the situation.
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Mr. Fantasy was the only song that was scribbling on a piece of paper.
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I'm an older woman who's not going to have a shiny pop song ever again, so that gives me license to do whatever the hell I want.
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I still don't know if I can write songs. I don't think anyone ever knows if they can write songs.
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In whichever way my music can get out there, I'm just like, 'Sure.' It's also through the TV synch licenses that I've been surviving. I don't really make money through record sales. I used to be really picky: 'No, I don't want it to be the song of a commercial,' but nowadays it's what you need to do to get the song out as much as you can.
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I push myself in a lot of aspects when I write a song. I write a piece and where most people would stop and say, 'Oh, that's the hook right there,' I'll move that to the first four bars of the verse and do a new hook.
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The very first song I ever wrote was a song called 'Crazy' when I was 11 or 12 with my best girlfriends - we had a girl band. It was about loving a guy who everyone else thought you were crazy for being into.
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What's amazing about a DJ set is when you're able to re-appropriate a song or give purpose to a song that people didn't really think it was supposed to have. Give it this sort of hidden power by playing it before this song and after that one. That it fits into this logic and it goes farther than you thought it could go.
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It's hard to give your song away. They're like your kids.
