Song Quotes
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When you step out and do a song in a musical, the easier thing to do is make it funny. But when those transitions become necessary, when they aren't camp, that, to me, is magic. I've done musical comedies and enjoyed them, but subject matter that's deeper and more realistic is always what's appealed to me most.
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The blues is nothing but a story... The verses which are sung in the blues is a true story, what people are doing... what they all went through. It's not just a song, see?
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River gonna take me, Sing me sweet and sleepy, Sing me sweet and sleepy all the way back home, It's a far gone lullaby sung many years ago Mama, Mama, many worlds I've come since I first left home
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I sing only in Meronian - my own language - but there are also elements of English and Finnish languages in our songs. When we use the spiritual Meronian language, the word 'international' doesn't do justice to our band. This kind of psychic language's means of communication can reach galaxies beyond our planet, not to mention the other living and inanimate entities of our own planet.
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Most people think a song is a song - three minutes, and you're done. I don't think this way. Songs are my wings. They're what I use to fly. It's very important for me to put everything in the right place.
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Most of my inspiration comes from mistakes, so every time I make a massive mistake, that usually affects me so much that I have to process that via song.
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I learned when I started to study piano that I could play by ear. I could hear a song on the radio a couple of times and hear the song and the lyrics and sing it for you after a couple of plays.
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I've been known to drop a spoken-word bit into a song from time to time. But not straight-up rap. I don't know that I have that gift.
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Sometimes writing songs is like waiting for deliveries.
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Both this song ['Black Skinhead'], 'I Am a God' and this song were made after Hedi Slimane didn't let me into his first Saint Laurent show.
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Kierkegaard said that the only way we can be released from the enchantment, the siren song of the myths, is to play the music through backwards. To break the spell of the ego I must recover my personal and political history, I must demythologize the private, family, and public myths that have informed me.
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I used to have to come home and write and then record work tapes of those new songs. So now I can do it all on the road and that has been a huge difference that has happened in 2016. It is the only way for me to really balance. There is a lot of overhead, but it's a big investment towards being a dad and a husband, which is ultimately my number one goal.
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I find myself a lot more open to bands if I just hear their song. It gives you an opportunity to engage with the thing itself and not be overwhelmed by everything else that surrounds it.
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If you can't write your song in half an hour, you're in trouble - which is always true.
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I had a hip replacement a couple of years ago. I have a song about that. And why wouldn't you? It strikes me that that was a huge event. It's kind of funny and horrible and interesting, so why wouldn't one write about that?
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When I was younger, I used to do that a lot: I would hear a part of a song that would really relax me and then put it on repeat. That would send me to sleep. It was quite obvious classical music, people like Penguin Cafe Orchestra, Erik Satie, Claude Debussy, Maurice Ravel.
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When I get up there, maybe I'm nervous for the first song, but then I get into it. It's a lot of fun to stand up there. I always enjoy the moment when I'm actually standing on stage. When I'm done, I'm like, 'Oh, I want to play one more song.'
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Sing us a song you're the piano man. Sing us a song tonight. Cause we're all in the mood for a melody, And you've got us feeling all right.
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If I said in one of my songs that my English teacher wanted to have sex with me in junior high, all I'm saying, is that I'm not gay, you know? People confuse the lyrics for me speaking my mind. I don't agree with that lifestyle, but if that lifestyle is for you, then it's your business.
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But when I hear a great song, I can't help but be inspired by it, regardless of whatever genre that song falls under.
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One of the disadvantages of poetry over popular music is that if you write a pop song, it naturally gets into people's heads as they listen in the car. You don't have to memorize a Paul Simon song; it's just in your head, and you can sing along. With a poem, you have to will yourself to memorize it.
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That song didn't just happen. It grew out of my experiences. 'American Pie' was part of my process of self-awakening: a mystical trip into my past.
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What should a song be about? It's a trick question for songwriters because lots of amazing songs aren't 'about' anything. Or, at least, they're not about anything that's obvious or logical.
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I am not a good enough writer to have an agenda or come up with a message and try to put it into a song. It's more like you write what comes to you... You try to reflect the mood of the songs.
