Song Quotes
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Sisters are brittle things. God was penurious with me, which makes me shrewd with Him. One is a dainty sum! One bird, one cage, one flight; one song in those far woods, as yet suspected by faith only!
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No matter how often you knock at nature's door, she won't answer in words you can understand--for Nature is dumb. She'll vibrate and moan like a violin, but you mustn't expect a song.
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I ain't got no time for a Caribbean cruise, just give me a song and a beer.
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Often I have to move my body in a certain way, like exercising, to begin to get into the right rhythm for writing a song.
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I love our industry. I love the song. I love the voice. I love it. Not necessarily my voice. But I care about the song and the voice.
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Song in the Manner of Housman" O woe, woe, People are born and die, We also shall be dead pretty soon Therefore let us act as if we were dead already. The bird sits on the hawthorn tree But he dies also, presently. Some lads get hung, and some get shot. Woeful is this human lot. Woe! woe, etcetera.... London is a woeful place, Shropshire is much pleasanter. Then let us smile a little space Upon fond nature's morbid grace. Oh, Woe, woe, woe, etcetera.
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Mr. Fantasy was the only song that was scribbling on a piece of paper.
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My entrance to music was singing gospel in church, and to hear that gospel language in a hip-hop song was cool.
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The gateway to freedom...was somewhere close to New Orleans where most Africans were sorted through and sold. I had driven through New Orleans on tour and I'd been told my great grandfather had lived way back up in the woods among the evergreens in a log cabin. I revived the era with a song about a coloured boy named Johnny B. Goode. My first thought was to make his life follow as my own had come along, but I thought it would seem biased to white fans to say 'coloured boy' and changed it to 'country boy'.
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Even before I wrote any songs, I had this idea of a triangle where the voice was at the top, some sort of guitar element on one side, and then some sort of really basic rhythm on the other side. That's where I started from in the recording process.
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If I'm not writing about myself, then I sit down with people I really dig writing with and throw 'em out and see if something sticks. Their brain plus mine hopefully will make something interesting and cool and it will just snowball and we'll have a unique song by the end of it.
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I don't like the idea that I'm a one-trick pony, even if I am! No matter what else I do, I have to make sure that 'Elephant' isn't Tame Impala's biggest song anywhere.
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The original title was 'Waking Up Diagonal'. It's the first line of the song. I just thought it was more interesting than 'I Don't Care', which is such a boring title to me. When I hear that song, it breaks my heart a little bit because it's my story.
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(on 'Someday My Prince Will Come' the Ashley Tisdale pop song) 'Just because your prince hasn't come doesn't mean you're not a princess.'
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I push myself in a lot of aspects when I write a song. I write a piece and where most people would stop and say, 'Oh, that's the hook right there,' I'll move that to the first four bars of the verse and do a new hook.
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I know a lot of artists say, `If you want your song on my record, I get 50 per cent' I'd like to kick them in the face.
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I love to cook, my husband and I collect wine, and in my head, I am always on Sullivan's Island, walking the beach listening to the song of the ocean.
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I can’t stand to sing the same song the same way two nights in succession, let alone two years or ten years. If you can, then it ain’t music, it’s close-order drill or exercise or yodeling or something, not music.
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It's pretty cool that artists like Flo Rida and Bingo Players can be inspired to interpret a song like 'Piano in the Dark' in completely new genres. As an artist and writer, it's the highest compliment we can be paid.
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I do a cover of a Velvet Underground song, and they were one of the most important bands, for me.
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When I wrote a song, it would have to be from something I was really excited about, or a melody that's been haunting me for weeks, or a message I wanted to convey lyrically. So it would have to start from something I felt very strongly about.
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Every song that I play I wrote by myself.
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Every time I write a song my approach changes.
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Whenever I'm really excited about a song, I want to learn it, and it becomes the first thing I play every time I pick up an instrument.
