Song Quotes
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I was onstage singing with Luke Bryan, and he started singing a song that we hadn't rehearsed. Both Luke and myself just winged it.
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The gateway to freedom...was somewhere close to New Orleans where most Africans were sorted through and sold. I had driven through New Orleans on tour and I'd been told my great grandfather had lived way back up in the woods among the evergreens in a log cabin. I revived the era with a song about a coloured boy named Johnny B. Goode. My first thought was to make his life follow as my own had come along, but I thought it would seem biased to white fans to say 'coloured boy' and changed it to 'country boy'.
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I don't dream songs. I'm more apt to write dreams down and then to be able to interpret them into a song. I also tend to get up and write prose in the morning from which will come songs.
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Any time you have a song that is directly connected to a very specific musical trend of the moment, you have immediately cut it off at the knees, doesn't matter if it goes to number one in the world, if you're too attached to a production style.
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My favorite part about writing a song is really when it's released, and I can see that it relates to so many people.
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I don't like the idea that I'm a one-trick pony, even if I am! No matter what else I do, I have to make sure that 'Elephant' isn't Tame Impala's biggest song anywhere.
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Every song that I play I wrote by myself.
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I am deeply saddened to hear the news of Dan's passing. He was a dear friend for many years. Dan & his music will live on in the great songs he shared with us all. My sincere condolences go out to Catherine and the entire Peek family. May he rest in peace.
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Not being a natural songwriter... for me the appreciation of a great song and the writers came early on, growing up in a musical family. My dad got to sing songs by some of the greatest writers of all time, Rodgers and Hammerstein.
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I know a lot of artists say, `If you want your song on my record, I get 50 per cent' I'd like to kick them in the face.
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I feed on other people's creativity, photographers, artists of every kind. Sometimes a feeling that you get listening to a song can be so powerful. I've wanted to write whole scripts around what I felt just listening to a piece of music. I think music is important, and surrounding your visual field with stimulating things.
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I had a hip replacement a couple of years ago. I have a song about that. And why wouldn't you? It strikes me that that was a huge event. It's kind of funny and horrible and interesting, so why wouldn't one write about that?
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I grew up playing a lot of R&B music, and I wanted to do a very R&B type song. And I like the 'nah-nah-nahs'. I always wanted a song with those in.
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If you play "I Don't Want To Know" by Fleetwood Mac loud enough -- you can hear Lindsey Buckingham's fingers sliding down the strings of his acoustic guitar. ...And we were convinced that this was the definitive illustration of what we both loved about music; we loved hearing the INSIDE of a song.
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I write songs very quickly, so the 20 minutes of joy I get out of writing a song doesn't compare to the two months of joy I get engaging with the people who like my music.
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One of the songs that stayed in my head that I really considered a lot was an old folk song called 'John Brown' - not the abolitionist John Brown, but the one that Bob Dylan has covered and sung before. It's about a boy coming home from the Civil War, or maybe World War I even, and about his Mother seeing him all destroyed.
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But when I hear a great song, I can't help but be inspired by it, regardless of whatever genre that song falls under.
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There is another sort of day which needs celebrating in song -- the day of days when spring at last holds up her face to be kissed, deliberate and unabashed. On that day no wind blows either in the hills or in the mind.
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As we went into production, there was no song for Olivia and no idea where we would put it. It was not even on the production schedule.
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I just start singing some words with a tune. I don't ever write a song thinking, Now I'll write a song about... .
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'Teenage Dream' was the most difficult song I've ever been a part of. We wrote five different versions of it. We couldn't get the lyrics right. Max Martin and Dr. Luke wrote most of the melody, and then Katy Perry and I were responsible for getting the lyrics right.
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The writers that I aspire to, like Joni Mitchell and Randy Newman, they'll tell you that the work gets harder, not easier. And they set that bar for us where we're always striving to do something better than the last time, whether it's the next song or just the next line.
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There's just a few people that call themselves stars can actually sit down with a guitar and sing you a song.
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The Rilo Kiley song 'A Better Son/Daughter' is my most requested song - especially for people who are at the age I was when I wrote it. It's sort of a mid-twenties lament.
