Song Quotes
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You look at a song like 'Lightning Crashes,' and it's just so universal.
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If you can't write your song in half an hour, you're in trouble - which is always true.
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When you find a song that you love, you just have to do it - why would I try to match it? When I wrote more of the songs in the '90s - 'Nick of Time' and other songs I was surprised I came up with - it was because nobody else was saying what I wanted to say.
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I think the best songs that come to me are ones that you sort of listen for. The ones - when I listen to some of my old stuff, I can tell when I had a good idea, but I forced it through, and I can hear myself - the bit that I've written, which sounds clunkier than the stuff that just sort of comes.
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Somewhere in a burst of glory / Sound becomes a song.
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I think there are some songwriters who are just brilliant who can write and then I think there are some songwriters who can like me I have a problem writing chorus lyrics but I can write a song in a story like that.
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I try to read a lot and listen to a lot of good songwriters, and I try to actually work on the craft of writing a song rather than just leaving it up to inspiration.
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I thought it was a very cute song. I just picked them out because I liked them. I wasn't trying to make any statements.
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Twenty-seven people sang 'Wind Beneath My Wings' before I got around to it. A lot of people saw the movie that I sang it in, Beaches, and what they came away with was that song. They turned to their loved ones and said, 'You know, you are the wind beneath my wings!' The song expressed how they felt in a way a simple 'I love you' would not have.
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I still don't know if I can write songs. I don't think anyone ever knows if they can write songs.
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You have to insulate yourself - I'm talking about from everything, people can be talking to you and you won't hear 'em - that's how you write a song. And I haven't been able to do that over here 'cause I'm so busy and then, when I am off, I want to get away from music.
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Songs have some kind of structure that connects with people`s hearts.
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It's weird because I am accessible to people on Twitter, and I can choose to read good things or mean things, and people can reach out to me directly and tell me how much they hate me or love the song. It's a very strange new paradigm as an artist to find yourself among this kind of connectivity.
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I grew up in a time when the only musicals were animated musicals because nobody wanted to see people to break into song.
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I really wanted to write a song like Eric Clapton's 'Wonderful Tonight.' It's just such a sweet sentiment. It's so simple but so genuine.
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'Life, Love & Hope' is... I'm thinking 'larger picture.' I'm not trying to preach to anyone. We all get lost and caught up in our everyday problems. Your cellphone doesn't work or you got a parking ticket, you had a bad day at work. You can lose sight of the really important things in life; that's what the song is about.
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If you listen to the first, second, and third chorus of a song, they don't sound the same. It's the same melody and all that, but what really happens is that the energy changes. It's all about getting the listener to keep his or her concentration.
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I've never really suffered complete and utter writer's block, really. I equate it with sex: in the beginning of my career, I was writing five songs a week; now, I occasionally write a song. But it's an exciting moment when it happens!
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When you take an energetic song and add it to one of the most energetic live performance set's you get pure mayhem...which is what the fans want to see!
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If you're writing anything decent, it's in you, it's your spirit coming out. If it's not an expression of how a person genuinely feels, then it's not a good song done with any conviction.
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My musical background in Tyler, Texas was quite outstanding. Uh, I grew up with, uh, with high school teachers who were in bands, they could play music. And we had a nine piece band there in Tyler, and I joined them when I was about, oh, 15 years old and traveled all over Texas in that band, playing for the elite oil people. Hah. And um, I was making about 50 bucks a night, and uh, it taught me, they taught me how to find my timing and to learn the songs that I wanted.
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I feel like when I get into most rooms, melodies come really easily to me, and they sound good in my head. I never really know until I hear the song back and it's finished if it actually is good.
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It's almost like a theater, where I can play a character in every song, 'cause Kamelot songs are very... There's always a narrative going on. There's a story within albums and in songs, so I get to play a character and sing it in a different way than people might recognize coming from me.
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I just kind of go with what I am feeling and don't think I have any kind of recipe for it... I mean, that's what drew me into writing. It's fun, and sometimes you don't get a great song. Sometimes you do.
