Song Quotes
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The thing that I love about acting is the fact that I can help people feel things, know themselves or feel less alone. It's my form of expression, in the same way that someone might paint a picture or sing a song in that you're hoping that it moves somebody outside of their own way of thinking.
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We were the rebels of the music industry so we wanted to write a rebellious song.
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That song ["Don't Tell Me"] didn't take us anywhere, and I know why now. It wasn't what Van Halen fans wanted. It showed the darkness of Van Halen, and basically the end of the band.
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I write when I have to; I write when the song is done and I deal with the idea and I just go with it and I'll become what that song is all about until I have finished it. And when you do that, it makes the song more visual, it makes it more personal.
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To have a song work for the movie, it can't just be written apart and shoved in. It's got to come out of the action. It's got to talk about the characters, not the story: it has to augment that action.
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If I write the song, I get to name it.
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'Boyz-n-the-Hood' was actually supposed to be written for Eazy's group. He had a group out in New York called Home Boys Only, called HBO. One of them looked like LL Cool J. Eazy wanted to write a song for them, a street song, like what we were doing on the mix tapes. So when I wrote it, it was too West Coast for them.
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Best of all is it to preserve everything in a pure, still heart, and let there be for every pulse a thanksgiving, and for every breath a song.
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When you're dealing with TV and with movies, people dont take it as serious as they do with music. If a rapper does a song about shooting people on the block, and goes into a restaurant or grocery store, people grab their purses because they're afraid the person is violent. With TV and movies, people know it's okay, it's just a script.
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I really didn't think about song writing.
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Of course, the kids who had never heard of a person called Ben E. King were then aware of the name associated with the song. That gave a tremendous lift to me as an artist.
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Drop out of school before your mind rots from exposure to our mediocre educational system. Forget about the Senior Prom and go to the library and educate yourself if you've got any guts. Some of you like Pep rallies and plastic robots who tell you what to read. Forget I mentioned it. This song has no message. Rise for the flag salute.
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There are producers that have been my friends for many years that I'm still a big fan of, from Boyz Noize to solo acts. Justice. It really varies. All the way to like...sometimes I'll just find some dude out of Chicago that makes a great house song. I'm feeling a lot of the deep house stuff, Jamie Jones.
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Usually, there's a story I've told that leads up to why I'm singing the song. The whole concept of the show was about being authentic and connecting with these songs. The best way to do that was in a room with an audience and for people to listen to that.
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I just kind of go with what I am feeling and don't think I have any kind of recipe for it... I mean, that's what drew me into writing. It's fun, and sometimes you don't get a great song. Sometimes you do.
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(on 'Someday My Prince Will Come' the Ashley Tisdale pop song) 'Just because your prince hasn't come doesn't mean you're not a princess.'
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Every song I write, including 'Too Close,' always starts on the guitar.
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Stuff just comes out all the time, sometimes when I sing live it really comes alive and I sort of... I write songs and then almost... not forget about it, but live it really comes out and I suddenly realise what I've written. I don't know where it all comes from.
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I feel like when I get into most rooms, melodies come really easily to me, and they sound good in my head. I never really know until I hear the song back and it's finished if it actually is good.
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They say it can all change with one song, and in my case, that rings very true, I was shocked that it happened this quickly.
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I don't wake up in the morning and say, 'Jeez, I feel great today. I think I'll write a song.' I mean, anything is more interesting to me than writing a song. It's like, 'I think I'd like to write a song... No, I guess I better go feed the cat first.' You know what I mean? It's like pulling teeth. I don't enjoy it a bit.
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My family was musical on both sides. My father’s family had a famous flautist and a classical pianist. My mother won a contest to be Shirley Temple’s double — she was the diva of the family. At 8, I learned how to play guitar. I used to play songs from the ‘20s, ‘30s and ‘40s in the kitchen for my grandmother.
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It's truthful - every single song is an extension of me and a truthful piece of inspiration from my past or something I'm currently going through.
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Dialogue is generally the worst choice for exposition. When you're writing lines you need to focus on the way people actually talk. And when we talk to each other we never actually explain our terms. We don't say 'Sweetheart, would you pass me the sugar bowl, which we picked up for a song at that antique stall in Munich.'
