Real Quotes
-
I've always wanted to be a real universal artist, one that every type of audience could relate to.
Bryan White
-
As long as you say I'm the guy who's real about it, I have no problem being the person who people look to to talk about race.
Larry Wilmore
-
If you think love is weak, that's a personal problem because real love is the strongest thing in the universe.
Van Jones
-
Praise our choices, sister, for each doorway open to us was taken by squads of fighting women who paid years of trouble and struggle, who paid their wombs, their sleep, their lives that we might walk through these gates upright. Doorways are sacred to women for we are the doorways of life and we must choose what comes in and what goes out. Freedom is our real abundance.
Marge Piercy
-
When you're working on a film, it's almost like photographing paintings at a museum. You're photographing somebody else's world. I just try and interpret it and make it real, and make it what the actors are about, what the director is about, and what the film is about.
Mary Ellen Mark
-
Actually, I only have a few friends in real life. And when I say friends, I'm referring to those people who I've known since the 1960s.
Jean Reno
-
I really enjoyed working with Mariah, Alfre Woodward's character, because she's a wonderful actor, and I felt we had a natural chemistry that was reflective of real family members.
Mahershala Ali
-
I try to educate people about materialism through my work. I try to show them real visual luxury.
Jeff Koons
-
Much as soldiers come back, they've been in combat or the edge of it and suddenly that adjustment back to civilian life is a real challenge.
Mark Dayton
-
The thing that bums me out about 'The Real World' is I don't want to believe that teenagers are that stupid.
Kathy Griffin
-
Take the hardcore gamers. The characters are way more real in the world of hardcore gamers who have played the game for hundreds of hours. They have the movie in their heads, they've built it on their own. These guys are always very disappointed in the movies.
Uwe Boll
-
You can't be funny for funny's sake. You try to get as outrageous situation as you can but it always has to be believable and based in real character motivations and what people would really do.
Hank Azaria
-
God has not changed; and His ear is just as quick to hear the voice of real prayer, and His hand is just as long and strong to save; as it ever was.
R. A. Torrey
-
I'm so vigorous, and I so take it for granted, because I've always been a real physical person.
Sally Field
-
I'm not funny. People assume that because my books are funny, I'll be funny in real life. It's the inevitable disappointment of meeting me.
Jonathan Safran Foer
-
That was a real learning element for me, because I realized that the more true you are to yourself, the more you will lose people.
Bill Sienkiewicz
-
The best real-estate investments with the highest yields are in working-class neighborhoods, because fancy properties are overpriced.
Jane Bryant Quinn
-
I've surfed the Web and the whole dating connection. I find that pretty fascinating, but no real leads.
Taylor Hicks
-
Our real interest starts with our neighbors... the future is about regional economies.
Jean Charest
-
All real capitalisms are impure hybrids, mongrels mixed with other strains.
Geoff Mulgan
-
There's two different disks recorded at two different shows. And they're two very different shows. The San Francisco disk was in front of 450 people and was a real professional show where people did their best stuff. So to some people that's going to be their favorite disk.
B. J. Porter
-
I think part of that is to create an environment where it's like real life, where you don't really know what's going to happen to you in a certain scene.
Radha Mitchell
-
I think people really want to see the real because the world is portrayed at such a low level that if you come out with a real wholesome show, people don't want to see that anymore.
Fred Hammond
-
A lot of roles for people with disabilities are quite patronising. It's a real pity when they are just used to give dull PC kudos to a drama, or when they're wheeled on in a tokenistic way without any real involvement in the plot.
Mark Haddon