Real Quotes
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I know this is silly, it's shallow, it's bad, I wish I wasn't this way-but if I meet a girl with no teeth, I just don't want to date her. It's creepy of me, I wish I was a bigger person, but that's my real turn-off.
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Only God's Thoughts - or love - is actually real. So when we separate ourselves from that love, we're actually not thinking at all: we're hallucinating.
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I would not consider myself to be a quote unquote real New York rapper. I don't even like New York rappers.
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When we love someone our love becomes demonstrable or real only through our exertion - through the fact that for that someone (or for ourself) we take an extra step or walk an extra mile. Love is not effortless. To the contrary, love is effortful.
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John Boozman has been traveling the world, making 129 visits to 53 countries during his time in Washington, and ignoring the real problems hardworking Arkansans are facing every single day. That is unacceptable.
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A story isn't interesting unless a character has real challenges to deal with.
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I always think of the character as being me. But me wearing a 'coat', which may be a different way of speaking, moving or regarding other people. To me, acting is pretending, just like kids playing, only you pretend as if it were really, really real.
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'Crazy Rich Asians' may be fiction, but given the situation I grew up in, I've had an unparalleled view into the very real world it depicts.
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'Avatar' was incredible and totally groundbreaking, but it wasn't about utter realism. It had a great mythic fantasy to it, but the characters don't seem totally photo-real, as amazing as they are.
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Every movie that I've had to really knock down the door for has been an enormous success for me. Not just like a financial success but a real personal success.
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Men characterize pornography as something mental because their minds, their thoughts, their dreams, their fantasies, are more real to them than women's bodies or lives; in fact, men have used their social power to characterize a $10-billion-a-year trade in women as fantasy.
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I'd love to do a Western. A real Western like John Ford used to do. There's not too many of them made, so I don't know if I'll ever get to do that. They're awfully hard movies to make.
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My real name is Bob Davis, but for some reason, I got the name Jasper while playing football at the local rec when I was nine years old, and it just stuck. Years later, when someone asked 'Jasper who?' I just said 'Carrott' - but I have no idea why I came out with that particular word.
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I think the real risk comes in being willing to try to be authentic.
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In L.A., I was meeting people who were all actors. My mind started to open up to what acting was. I didn't realize that Brad Pitt was a real person. I didn't think he was a robot or a machine, but I thought you were just born into acting - that it's a family tree, kind of like NASCAR. No one can just say, 'Hey, I'm going to be a NASCAR driver.'
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It was amazing feeling to be able to be involved in invention, but not just invention - the creating of a marketplace that had real value to add.
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In all my 'Bond' films, everything you see there is fantastically real.
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Playing a real-life character is a challenge and a huge responsibility.
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Painting is a magical process that I like, where you conjure something out of nothing; you get a little idea that leads you through ... You can go into a trance while you're doing it, so it's a nice contrast to real life.
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Remember crime against property is not real crime. People look at an oil painting and admire the use of brushstrokes to convey meaning. People look at a graffiti painting and admire the use of a drainpipe to gain access.
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It's not about how much movement you do, how much interaction there is, it just reeks of credibility if it's real. If it's contrived, it seems to work for a while for the people who can't filter out the real and unreal.
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In the beginning, there were Real Programmers.
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To create a character who really interests you, try combining aspects of your favourite fictional character with a real person.
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If there is some determinate succession of defined whole real numbers, among which there exists no greatest, on the basis of this second principle of generation a new number is obtained which is regarded as the limit of those numbers, i.e. is defined as the next greater number than all of them.
