Album Quotes
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There's a song called 'All We'd Ever Need,' which is actually the first song that the three of us wrote together on our first album, and when we wrote that song I didn't have any real experience to pull from.
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I want to have a huge album that's, like, 18 or 19 tracks. I hate those albums where there's only, like, ten tracks, and you're left thinking, 'Is this it?'
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Every album I've ever been involved in, on the day that it came out I believed in it.
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People don’t buy CDs a lot anymore, so I feel like the feeling is lost of looking forward to the next song when listening to a CD. I know that mini albums usually have about five songs and just four without the instrumental, but I wanted my album to be like a gift to people who buy it.
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My fans have supported me in concerts around the world regardless of how well my current album was selling.
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When I'm picking songs for an album I always want a song that I can relate to and that I have experienced. There's nothing worse than watching an artist try and sell a song that isn't believable coming from them.
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When I was done with the movie [Ordinary World], I felt really compelled to start working on another album. Little did I know, they were going to come out back to back.
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I'm just going to do music and when I feel like I've gotten enough music to put an album together then that's when I'm going to do it.
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When I wrote the first album I had never played live before, and I'd never been on tour. So that was really just me and my guitar.
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The Nirvana unplugged album was something we'd always knew we were capable of doing, but it was just a matter of doing it right.
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There is a new album in the works, but we're taking our time on it.
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We didn't see a cover of ours (in advance) until our fourth album.
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That's the choice they allow you - now the outlet is being a pop star, which is really what I'm saying on the album in 'Working class hero'. As I told Rolling Stone, it's the same people who have the power, the class system didn't change one little bit.
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It's a miracle was the last track recorded for the album, we based it on the rhythm from the middle of 'Late Home Tonight, where there's Graham Broad playing lots and lots of drums with me shouting in the background, pretending to be a mad Arab leader.
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I ain't the greatest thing since sliced bread, but I've dedicated my life to music since I was 7 and my dad bought me a guitar and the 'Meet the Beatles' album.
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This is something to break off the flow of the album a little. I think its fun to compose these kind of things. I used moog and sequential circuits synths, some vintage flangers, and cool effects.
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The main thing with my shows is that I'm professional but not highly polished. I don't like people to think they're just seeing an album in person.
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It feels really good but it doesn't really feel a whole lot different. The biggest difference is that you walk into a store and it's there but that could've been accomplished without Columbia. I just think that it's cool to have the opportunity and I'm proud of it. I think it's the best album I've done so far.
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The main idea of the album was to translate different styles with just one sound. It was really hard to do that. It’s exactly the same when you see a guy – he’s one guy but he can have several different emotions. That’s the best way to explain it.
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Well, since I produce and pay for my own albums, it is the ultimate freedom.
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God built the Earth in seven days and seven nights, that's how I'm going to approach doing the album. So when it's time for me to actually finish up the album and do final cuts of everything, I'm going to line it up in seven days and seven nights. I'm going to document it, out the footage out, show people it's not a fluke.
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If you take your last album & try to copy it, then thats sure to hell the way to stagnation. And that makes me bored...and if I'm bored then the music is boring and so are the band!
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I want to communicate through my music. If you want to know Geri Halliwell listen to my album: it tells you more about me than a documentary ever could.
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I did an album and they allowed me to sell it at the show. I also did a Disney cruise line gig. I always wanted to make an album and it was an idea that came to me when we first started working on Aladdin.
