Album Quotes
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On every album I've put out, I've put diverse Canadian songs on it. They're not provincial album; my albums are national albums. There'll be a song about Saskatchewan and Vancouver and Nova Scotia on there.
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I thought I'd go away and make one album, but it was extended. The album did so well, and they wanted another album. I was on a high. You make hay while the sun shines, and I was doing it, and you think about yourself; that's what you do.
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Such a wild feeling! Brand new live album called “Canvas and Clay” out now.
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We've gone overboard on every Queen album. But that's Queen.
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We were all kind of freaked out recording the first album because we didn't know what it would be like.
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I write songs; I record them. When I get enough, and it seems like a coherent piece, I call it an album.
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One of the things that's kind of persistent is that I am the model on the cover of Tom Waits' album, Small Change.
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I personally really like getting a proper album with artwork and everything.
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That's what's interesting: When you release an album, everyone hears it their own way.
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People don’t buy CDs a lot anymore, so I feel like the feeling is lost of looking forward to the next song when listening to a CD. I know that mini albums usually have about five songs and just four without the instrumental, but I wanted my album to be like a gift to people who buy it.
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I've always felt you are only as good as your next album or next show. What you've done is done. When you get a gold record, you hang it on the wall, and then it's like, 'Yeah, next?'
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When I think about my new CD, the word 'joy' comes to mind. I sincerely hope that each listener will feel the earth, spirit, and aggressive creativity emanating from this album.
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It made my career. I mean I'd had a few charted songs before, but when Urban Cowboy came out, hell, I got my first gold record, my first gold album, got a triple platinum album, a platinum album... It catapulted my career to what it has been for the last 35 years.
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The BBC were not playing the music that was happening on the street so we did an independent production because we knew we had an audience. Then we licensed the album to EMI.
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Right now, when it comes to making an album, we really want to give our fans just Linkin Park. We don't want to water it down with anything else or confuse it with anything else. Meteora is just us and that's where our focus has been. So hopefully the fans can enjoy that.
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One thing with Backstreet Boys, we never try to rush out an album. We always try to make quality music that can stand the test of time.
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If Miles Davis hadn't died it would have been interesting to do an album with him, but there wasn't much else that would have got me into the studio... although Herbie Hancock has just been in touch about doing something and that would be an interesting combination.
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There seems to be something pure in pulling from a place in time that's "innocent" and untouched by outward opinion. I wanted this album to have threads of my past to enrich the topics I wanted to address about aging.
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Typically, every 14 to 16 months, we're putting a new album out. To be honest, I wish it was slower.
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This is positively not an album to play while you do a doctorate thesis on "Bergson, Webern and Charles the Vicious, Paradox or Ambiguity?"
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Sometimes, I would love to record a super – quiet album, but for some reason, I never really got to that because my heart lies with the heavy stuff.
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If your album sells, that's cool, more people find out about you, more people get turned on to what we're really about-which is a live rock and roll band.
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When I wrote the first album I had never played live before, and I'd never been on tour. So that was really just me and my guitar.
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When I'm picking songs for an album I always want a song that I can relate to and that I have experienced. There's nothing worse than watching an artist try and sell a song that isn't believable coming from them.
