Album Quotes
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On every album I've put out, I've put diverse Canadian songs on it. They're not provincial album; my albums are national albums. There'll be a song about Saskatchewan and Vancouver and Nova Scotia on there.
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The BBC were not playing the music that was happening on the street so we did an independent production because we knew we had an audience. Then we licensed the album to EMI.
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I think the one that resonates the most with a lot of people is from The Scream album - 'Father, Mother, Son.'
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I think my first album was a gift for my birthday and a Faith Hill album; I loved her.
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When I think about my new CD, the word 'joy' comes to mind. I sincerely hope that each listener will feel the earth, spirit, and aggressive creativity emanating from this album.
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I thought I'd go away and make one album, but it was extended. The album did so well, and they wanted another album. I was on a high. You make hay while the sun shines, and I was doing it, and you think about yourself; that's what you do.
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The show gave us the taste of working together again, and we decided to record an album. So we started writing and it slowly came together over the years.
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If your album sells, that's cool, more people find out about you, more people get turned on to what we're really about-which is a live rock and roll band.
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Right now, when it comes to making an album, we really want to give our fans just Linkin Park. We don't want to water it down with anything else or confuse it with anything else. Meteora is just us and that's where our focus has been. So hopefully the fans can enjoy that.
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All the songs on the first album were like skeletons of how we really played them. It was just a combination of not having any studio experience and having to do everything so fast. I also think that studios are, by nature, limiting. You cannot get the sound of five big amplifiers on a little piece of tape.
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Typically, every 14 to 16 months, we're putting a new album out. To be honest, I wish it was slower.
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When we were making the record, I just decided, at the last second. I thought, "This song ["Ordinary World"] makes a lot of sense, being on the album [Revolution Radio]."
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Gospel music has gotten many people through many situations. And I pray my latest album “Bless Somebody Else” has a message that will help you through this pandemic.
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I want to have a huge album that's, like, 18 or 19 tracks. I hate those albums where there's only, like, ten tracks, and you're left thinking, 'Is this it?'
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This is positively not an album to play while you do a doctorate thesis on "Bergson, Webern and Charles the Vicious, Paradox or Ambiguity?"
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There's a song called 'All We'd Ever Need,' which is actually the first song that the three of us wrote together on our first album, and when we wrote that song I didn't have any real experience to pull from.
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When I was done with the movie [Ordinary World], I felt really compelled to start working on another album. Little did I know, they were going to come out back to back.
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When I wrote the first album I had never played live before, and I'd never been on tour. So that was really just me and my guitar.
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It's a continuation. It feels like we were in the studio for 16 years. It was bottled up and this album was an outpouring.
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'Wages Of Sin' was the first metal album I ever bought, and it was love at first listen.
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There seems to be something pure in pulling from a place in time that's "innocent" and untouched by outward opinion. I wanted this album to have threads of my past to enrich the topics I wanted to address about aging.
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I write songs; I record them. When I get enough, and it seems like a coherent piece, I call it an album.
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When I'm picking songs for an album I always want a song that I can relate to and that I have experienced. There's nothing worse than watching an artist try and sell a song that isn't believable coming from them.
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This is something to break off the flow of the album a little. I think its fun to compose these kind of things. I used moog and sequential circuits synths, some vintage flangers, and cool effects.
