Paintings Quotes
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People used to give me pictures or paintings of me - they never look even close to what I look like.
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The paintings in our galleries are seen one day in bright sunshine and another day in the dim light of a rainy afternoon, yet they remain the same paintings, ever faithful, ever convincing. To a marvelous extent they carry their own light within. For their truth is not that of a perfect replica, it is the truth of art.
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My work, in a certain way, got started in 1996 when I did an exhibition of thirteen paintings that were solely based on fashion imagery.
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My paintings and sculptures, at first glance, may appear to be purely aesthetic; closer up, they are not. They hold a feeling of tentativeness, combined with a sense of arrival.
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Not everybody trusts paintings but people believe photographs.
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I make paintings really slowly because I change them and change them and change them and change them and change them. I don't really know how to not do that. I'm not very free in a way. Even though it looks free. But it's not.
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I know well enough in advance that you'll find my paintings perfect. I know that if they are exhibited they'll be a great success, but I couldn't be more indifferent to it since I know they are bad, I'm certain of it.
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There must be an open space in the paintings – an entry space for the viewer, or even for me. Just white space where you can get into it.
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Paint right into the darkness. While painting in these conditions the mind shifts gears, engaging the unconscious. Unique ‘insights' happen in the dark
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There is something cosmic in his interpretation of the movement of earth and sky and weather forms in his paintings...
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Like it or not, people tend to buy paintings to match their drapes, couch or carpet. I know you want them to be so overwhelmed with your skills they can't resist hauling your art home. These three factors are what dictate most art sales.
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I'm interested in color belonging to something, where it takes on a completely new kind of vibrancy, rather than being what you would call straight abstract paintings. And anyway it is so much more exciting trying to find out about the three dimensions of color and sticking it down on a two dimensional surface.
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I love beautiful things. I'm not into art so much, like paintings.
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My art in the last period has all been in small format, but my paintings have become even deeper and more spiritual, speaking truly through colour. Feeling that because of my illness I would not be able to paint very much longer, I worked like a man obsessed on these little 'Meditations' (a long series of small paintings he made during the last years of his life, with as main motif the schema of a face, ed.). And now I leave these small but, to me, important works to the future and to people who love art.
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A painter works to formulate with or in colors.. .My paintings follow the second option.
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I want my paintings to give the viewer a true sense of reality - that includes but is not limited to depth, scale and a tactile surface as well as the real sense of what the subject looks like and is feeling at the time that I painted them. There should be a discourse between the viewer and the subject, to feel as though they are in a way connected. My goal is not to set a narrative but rather to have the viewer bring their own experiences to the painting and the subject as they would if they had seen the subject on the street in real life.
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My paintings (1907) were aglow with colors and so my soul was contended with them.
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My art in the last period has all been in small format, but my paintings have become even deeper and more spiritual, speaking purely through colour.. .And now I leave these small – but to me – important works to the future and to the people who love art.
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I think it's absurd to believe that movies should look like paintings and say something like serious books say something.
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In truth, the best long-term explanations about our ancient counterparts can be found in the paintings, sculpture, crafts, tools of utility, language and architecture left behind. These are the building blocks of civilization we call culture. These are what we call 'the arts.
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To me, paintings are about beauty. They are very feminine, and beauty is something very feminine. For a long time, people would talk with me about identity. I don't have issues with identity, I just follow this kind of feminine beauty because I became a victim of my art, which I think is the best thing for an artist. So many artists use their talent, but with the best artists, their talent uses them.
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My paintings are wiser than I am.
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Some say they see poetry in my paintings; I see only science.
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What if at school you had to take an art class in which you were only taught how to pain a fence? What if you were never shown the paintings of Leonardo da Vinci and Picasso? Would that make you appreciate art? Would you want to learn more about it? I doubt it...Of course this sounds ridiculous, but this is how math is taught.
