Paintings Quotes
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I'm expressing the feelings of mankind today through the Blue Dog. The dog is always having problems of the heart, of growing up, the problems of life. The dog looks at us and asks, 'Why am I here? What am I doing? Where am I going?' Those are the same questions we ask ourselves. People look at the paintings, and the paintings speak back to them.
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To me, paintings are about beauty. They are very feminine, and beauty is something very feminine. For a long time, people would talk with me about identity. I don't have issues with identity, I just follow this kind of feminine beauty because I became a victim of my art, which I think is the best thing for an artist. So many artists use their talent, but with the best artists, their talent uses them.
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During the days of my youth, critics and art-lovers resorted freely to this term of abuse. Even some of the most renowned Old Masters were also pilloried as having manufactured insipid and sugary paintings that were offensive to good taste.
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I'm now in a big working period, which takes me up so much that hardly anything of me remains. I have never been strong in theories and this becomes worse and worse. My work should give me satisfaction, and that is about life and death.. .Several paintings full of life and beauty arose again and give me the courage and joy to proceed on the road. There are also several paintings in which I am involved for less than half, discharges in a short time, which have existence for a while, but will not reach shaping.
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In a way, my paintings are like my children. They have many possibilities in life. You tell them, 'I believe that you're good and I trust that wherever you are and whatever you do, you will do it right.'
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My writing and my paintings do not have a direct connection in my mind. But I am sure they influence each other in the measure that everything we do is linked to whatever we are, which includes whatever we have done or are doing.
Etel Adnan -
What if at school you had to take an art class in which you were only taught how to pain a fence? What if you were never shown the paintings of Leonardo da Vinci and Picasso? Would that make you appreciate art? Would you want to learn more about it? I doubt it...Of course this sounds ridiculous, but this is how math is taught.
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Some say they see poetry in my paintings; I see only science.
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Van Gogh was asked how he created such beautiful paintings. He said I dream my paintings and then I paint my dreams.
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They his 'Street Scene' paintings and drawings,he made in Berlin originated in the years 1911-14, in one of the loneliest times of my life, during which an agonizing restlessness drove me out onto the streets day and night, which were filled with people and cars.
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I have no way of knowing what you are going to feel when you look at one of my paintings; I only know what I feel.
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To be true, you have to take the plunge, to touch bottom. But most people want to be in control. They fear the worst. You can’t control anything. What you have to do is let yourself be taken over.. .All the paintings I have made, I was compelled to make. You must never force yourself.
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I had so many ideas that I wanted to get out at once that it led to simple little drawings and paintings.
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To talk about paintings is not only difficult but perhaps pointless too. You can only express in words what words are capable of expressing - what language can communicate. Painting has nothing to do with that.
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I like a lot of different kinds of movies, I like a lot of different kinds of paintings.
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The most intelligent inspection of any number of fine paintings will not make the observer a painter, nor will listening to a number of operas make the hearer a musician, but good judges of music and painting may so be formed. Chess differs from these. The intelligent perusal of fine games cannot fail to make the reader a better player and a better judge of the play of others.
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Sometimes it is best to burn paintings that just don't burn.
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My paintings used to be so realistic and I found it a little bit boring, especially now that I'm in New York. I wanted to be more free, first in my mind and then, slowly, in my work. Many artists have these jumps in their work and at some point it looks like a supermarket. For me it was important to develop.
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I don’t know if I've got close enough in two recent paintings he made to what I was really trying to achieve. But at least I've tried, I've made the attempt. I've done what I could. I've gone as far as my powers permitted.
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What is real for me are the illusions I create with my paintings. Everything else is quicksand.
