Bands Quotes
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My dad got me into heavy music. He was a big rock fan when I was younger, and he was always looking for something heavier – less so than me, he stopped at Metallica or something of that nature. He helped me discover Motörhead which was the band for me when I was young; I liked other bands but they were out there on their own.
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Too many bands are scared to show emotions these days. They seem to think it’ll stop them being cool or something. We’ve never been cool. We’ve always been into emotionally charged music.
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The bottom line with a lot of bands that funk is being applied to is that they don't really listen to funk and aren't versed in funk. Like, you know, Gordon Lightfoot.
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Other bands wanted to wreck hotel rooms; Roxy Music wanted to redecorate them.
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Names for bands lose their meaning after a little while. They become a series of sounds that you associate with people in music, really. The most important thing about choosing a name for a band is if you can imagine forty-thousand people screaming it in unison.
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In many cases bands have a lot to overcome, business being what it is.
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With Dio, my first time to Japan, middle of summer, and it was rainy, hot, humid. We went on at 2 AM after Foreigner and Sting and there were a couple of Japanese bands before us. Mama's Boys went on at the crack of dawn. They were serving breakfast backstage.
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I think Queen tribute bands are great. However, we have to keep them at arm's length, otherwise it could be too dangerous.
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I started working there first, then I convinced Matt to get a job there, We were in different bands at the time, but we brought our guitars to work and started playing.
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Lots of bands spend years and years before they hit it. For us it was overnight. It was two years - three at the most - from when the band started playing; and it wasn't like we worked so hard. It was a fun thing to do.
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I feel like there's not as many bands anymore. It's more like there's a front-person and a band supporting them, solo-type spirits that have a look, a vibe, a message, a voice and a style. I was talking about it with a journalist in Europe; he was like, "You're a democracy; everyone in the band does stuff." There's not a lot of bands I can think of that still have it so every member of the band has an equal say. I was like, dude, you're right. I can't really think of any right now. There might be one or two leaders in them, but there are not a lot of bands like that anymore.
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Bands don’t have MTV and there seems to be a lot less radio. There are no D.J.s anymore and whatever D.J.s are left are not given a choice. Now they just record their part at home and everything gets fed into a computer. I did an interview recently at a radio station, huge building, but when I got in there it was practically empty.
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A band's only unique thing is its chemistry, especially if none of you are prodigious players or particularly handsome. The one thing you have is your uniqueness, so we hold on to that.
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I really hate it when I see other bands selling their music to commercials.
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In 1969, I was playing guitar in several rock bands that toured central Florida.
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The internet seems to be what a lot of independent bands are doing these days. They're bypassing the studio - the big studios, EMI and all the record companies - and just doing it themselves, online, selling their stuff, getting known through that medium.
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And every single dollar in these bands got a blue face Diamonds in the Rollie, they in HD like it’s Blu-Ray The way that I been ballin' should make the cover of 2K Show out for the summer I might pull up in a new Wraith
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Many bands that I like that have longevity on their side with consistent members are even splits. It makes a big difference to have the other two guys involved every step of the way. It keeps the thing moving. Everyone is taken with equal degree of seriousness. It's not just because it's a four-way partnership. It also relates to taking things maturely and taking other people's thoughts into consideration.
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It's time for new bands to step up because KISS and Mtley Cre, Aerosmith, The [Rolling] Stones... we're not always gonna be here. Who's gonna replace us? There's no one out there. It's sad.
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All the best bands have a language, and what they say within that language makes it is what it is.
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Unlike a lot of my cohorts from the '80s and '90s who totally blamed the shortness of their careers on bands like Nirvana and Alice in Chains and Soundgarden and whatever, I was very into a lot of those bands.
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Yo La Tengo were a major inspiration for me because they're one of the first bands that I got into on my own, separate from my parents, when I was in high school. I have all their albums. That's the place we'd like be in someday.
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I played in rhumba bands, mickey mouse bands; all kinds of bands.
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Signing to a major, there weren't many bands from our sphere that were doing it. I mean, obviously R.E.M. had done it, and Husker Du and the Replacements had done it, and maybe Soul Asylum, but that was probably about it. Those four bands were pretty much the only ones from that milieu that had signed to a major.
