Bands Quotes
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Tame Impala and I love the psychedelia. To me, it sounds like Blind Faith and old bands from back in the freak days. It just hit a nerve to me. I was just really feeling that sound.
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My Faith is larger than the Hills— So when the Hills decay— My Faith must take the Purple Wheel To show the Sun the way— 'Tis first He steps upon the Vane— And then — upon the Hill— And then abroad the World He go To do His Golden Will— And if His Yellow feet should miss— The Bird would not arise— The Flowers would slumber on their Stems— No Bells have Paradise— How dare I, therefore, stint a faith On which so vast depends— Lest Firmament should fail for me— The Rivet in the Bands
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People who were in their 20s back in the '80s have told us that we remind them of their favorite bands from when they were younger, ... I understand them. When I was a kid I loved those bands, too. We have that in common with the people who come out and see us.
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I always wanted to be in bands.
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I can't think of many bands that can do that for five years without egos blowing up, but it's still working. We went about a year without seeing them (while touring with Cheap Trick), and we really missed them.
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The Sex Pistols came through Atlanta, and I got to go see them. That was historic. It blew me away; it was so much fun. I bought 45s of bands you don't hear about anymore.
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We traveled with a lot of these bands and got to know them personally. It's a real good comradery between musicians…traveling together, you can relate to each other.
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I named it that because more or less each person from the band used to play in other bands and when we left respective bands other members from those bands all sort of changed round. It was a big sort of move thing. I got it from that, I suppose.
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I guess it’s easy to label it as that. Some bands do start side projects while they know it’s not going to go any further. But this is something we’re looking at on long term.
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You hear about bands who say, "We did one show where only 20 people showed up", well that was our average gig for five years.
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We never went out and played shows before we got signed because the music scene in Las Vegas is so bad. There's not a lot going on. In our practice space, there were something like 30 bands, and every day we'd walk into that room and hear the exact same death-metal bands. So it kind of influenced us to be different. And to get out of Las Vegas.
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I was a kid, I loved music, that was our social thing. That's what we bonded on. That's what my Saturday nights were, looking to see what bands were playing. And some of those people were the coolest people ever. I want to participate in that. And I hope other people feel that and they're like, "Yeah man, this is part of it, this is why I love music."
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This man is freed from servile bands, Of hope to rise, or fear to fall; Lord of himself, though not of lands, And leaving nothing, yet hath all.
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If you listen to bands like Public Enemy or A Tribe Called Quest, you can hear in the samples that the snare would sometimes go very dull - like on one snare. So, to replicate that, we’d record a drum break and Geoff would get it on vinyl, then he’d chuck it on the floor and kick it around, so it was a bit crackly, get it on his deck and just scratch on the snare drum bit to make it go dull. That’s the sort of attention to detail that made the record.
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I feel like there's not as many bands anymore. It's more like there's a front-person and a band supporting them, solo-type spirits that have a look, a vibe, a message, a voice and a style. I was talking about it with a journalist in Europe; he was like, "You're a democracy; everyone in the band does stuff." There's not a lot of bands I can think of that still have it so every member of the band has an equal say. I was like, dude, you're right. I can't really think of any right now. There might be one or two leaders in them, but there are not a lot of bands like that anymore.
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I love bands like Queen, Zeppelin, The Beatles.
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And rock being a male-dominated, testosterone-driven place that I've been in the eye of the hurricane now for several years, I realized that it can be a place that can perpetuate homophobic behavior unless it's addressed by bands like us.
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Most bands are scared of ridicule - we embrace it.
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This really was the start of a period where me, Barney and Steve would all be meeting bands and getting into producing them. Barney did Section 25, Happy Mondays. Steve and Gillian produced Thick Pigeon (who, incidentally, were Stanton Miranda, Michael Shamberg’s girlfriend, and Carter Burwell, who later made his name scoring films for the Coen Brothers).
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Most bands people have side projects and it's not considered a death threat as it was say, with The Beatles.
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KISS has always been outside of the borders of what other bands can do. Not that some of these other bands wouldn't want to do it - the fact that they may snicker or look down their noses at what we do is more out of jealously than anything else.
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Bands rise and surface in the British press so regularly that, for the most part, unless something really catches my ear, I feel like, 'Oh, if they're still around in two years, I'll see what they're up to.'
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Lots of bands spend years and years before they hit it. For us it was overnight. It was two years - three at the most - from when the band started playing; and it wasn't like we worked so hard. It was a fun thing to do.
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It's time for new bands to step up because KISS and Mtley Cre, Aerosmith, The [Rolling] Stones... we're not always gonna be here. Who's gonna replace us? There's no one out there. It's sad.
