Actor Quotes
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For years, I kept the two separate: Michael Horse the artist and Michael Horse the actor. I like the acting, but I'm an artist; that's my identity.
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If you choose to do both acting and directing on a set, than you're admitting that you understand that everyone is in it for the same goal and it's a collaborative experience. You can't really jump into being an actor, and than direct yourself. At some point, you have to be willing to accept other people's opinions. I think that's helpful. If you try to micro-manage and control all of it, than you're probably heading for disaster.
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So many (older) men and women are relegated to minor supporting roles, ... Christopher Walken. Look at him. He's a great actor and in a lot of films. But he's not starring in anything.
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If a film becomes successful, the actor is blamed for being commercial and not having a true love for movies. When we do serious films, we will be blamed for not planning our career properly. I believe that what one should do is to make good cinema and try to make it successful.
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As an actor, if I just did sci-fi, I think it would get limiting, like if you just play lawyers or doctors, over and over. It's a lot more fun, if you get to play lots of different types of characters.
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When I was 16 and wanted to be an actor, people told me to go work at the supermarket.
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I think American actors are much more intimidated by Shakespeare. I actually want to do this Shakespeare play in New York, but I think it's interesting that there's this gaping hole in the repertoire in the American theater, which is Shakespeare. It's hardly ever done, compared to how often it's done in other companies, not just Britain. Someone from the Roundabout Theater Company - I said, "You never do Shakespeare." And he said, "Yes, we're not very good at it." And I thought, "What a terrible thing to say.".
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Having been a child actor, I remember how directors would trick me to get good performances out of me. I don't think you need to do that.
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When you choose to be an actor, you are going against the odds.
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The director Denis Villeneuve is actually an actor he's from Sons of Anarchy and he's a great character actor and he's also a screenwriter he wrote What Lies Beneath. It blows my mind to see when people from one sector move to another and excel. I think Sicario was one of the best directed and written films. It did get [a nomination for best] cinematography, though.
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The most important thing, when playing characters with chemistry, is being able to work off the other actor and be supported.
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I want to be a great actor someday, and I've decided there's no use philosophizing; the only way is to work at my craft.
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I'm shy. People get confused. They think as an actor you can get up and be confident on the screen. Why aren't you like this in normal life? Why can't you act in your social life? 'Because I can't!'
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I can’t remember a time when I didn’t want to be an actor. It has just always been an inevitability on some level.
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People keep trying to make me a movie star but they just don't understand. I'm not a movie star, I'm an actor.
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Take it from a director: if you get an actor that Sandy Meisner has trained, you've been blessed.
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I look at everything I’ve done critically - but I think that’s the job of an actor. If you ever sit on your laurels or think that you’re good - in a way, I don’t then think you’re pushing yourself.
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You need some insecurity if you're an actor. It keeps the pot boiling. I haven't yet started to think about retiring. I was shocked when I heard about Paul Newman retiring at age 82. Most actors just fade away like old soldiers.
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In that daily effort in which intelligence and passion mingle and delight each other, the absurd man discovers a discipline that will make up the greatest of his strengths. The required diligence and doggedness and lucidity thus resemble the conqueror's attitude. To create is likewise to give a shape to one's fate. For all these characters, their work defines them at least as much as it is defined by them. The actor taught us this: There is no frontier between being and appearing.
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I personally was driven to be an actor for the love of telling a story. It was very closely linked to being a reader as a kid and being transported by literature and art. It had nothing – zero – to do with anything resembling fame.
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I never thought I was salable. I learned in my second year of drama school that I was not a leading man - I was a character actor. So I thought, "I'd better be the best character actor around.
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You couldn't escape the literary atmosphere in our home. I grew up as a Britisher. I played a protagonist of every nationality in stage adaptations of Shakespeare and Brecht. I graduated from Yale. When I moved to the U.S., I realized with some amount of surprise that I was seen as an ethnic actor.
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Muhlenberg is the school that made me and shaped me into the actor I am today.
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When an actor marries an actress they both fight for the mirror.
