Drama Quotes
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Taxation, for example, is eternally lively; it concerns nine-tenths of us more directly than either smallpox or golf, and has just as much drama in it; moreover, it has been mellowed and made gay by as many gaudy, preposterous theories
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'Va Savoir' is a lovable comedy about love that looks upon life as drama and uses the world of the theater as a staging device.
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I've been bouncing around from comedy to drama and TV and film.
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As people, [my parents were] very colorful, very talkative, passionate, they really loved each other. But that also meant heated, it meant there was a lot of drama in the house. Which is good for a filmmaker, I think.
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I consider all drama to be the opportunity to see the world from another person's point of view. That seems to be the point of drama, really. And thereby to encourage understanding and even love.
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Comedy has always been more challenging for me than drama.
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Myrnin: "There is no drama so great as that of a teenage girl." Claire: "Except yours.
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I was never part of that cliquey girl drama. Most of my friends were guys growing up, so I was never part of that whole toxic energy. It seemed like way too much hassle.
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I went to study English for two reasons. Principally because when I was in university, studying drama wasn't considered an option. You couldn't get a degree course for it. And so many plays and things that I was interested in landed themselves in a broader spectrum of literature.
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No one goes to BrooklynVegan to read about content, they just go for drama. It's a tabloid, the scum of indie.
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I'd been wanting to work with James McAvoy since I was in drama school. I suppose there are parallels in that we're Scottish, we went to the same drama school and share the same agent, but aside from that, he's someone I've looked up to.
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Sometimes, if I really just need to unwind and kind of watch something that isn't gonna stress me out or have drama in it, I watch 'Spongebob.'
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We shoot with three cameras, try to shoot both sides of coverage if possible. That allows the actors to overlap and to find moments that feel more authentic and real than what you sometimes would normally get in a scripted drama that's shot more classically. And that's something in 'Parenthood' that has evolved.
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I'm a fan of daytime drama; I totally get it. When we are doing scenes that are romantic or will get the audience riled up, I feel like I'm a fan in the room going, 'People are going to be so mad right now!'
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I like the idea of up-and-coming actors nowadays being a little different and not necessarily the drama-school stereotype, being a bit more edgy.
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I did apply for drama school when I was 17, and I didn't get in; I had a really bad audition.
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For me, art has to have two things to really blow me away: a strong concept and drama.
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I'd always wanted to do costume drama, but period dramas often become very wooden. Just because they're born in the 1400s, all of a sudden people start losing their sense of humour or their personalities.
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I seem to gravitate toward the dark side of things when it comes to directing. I love action, but I love the drama as well.
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Culture clash is terrific drama.
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I never really excelled in any particular subject, but I was just alright at all of them. I never really knew what I wanted to do until I discovered drama.
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In a recession, people want to be told for two hours that everything is going to be OK. They want to escape from their humdrum or painful reality into a feel-good drama, or a love story that transcends their daily life.
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'The Piano' is a romantic drama that really made me want to see New Zealand. When I finally did it was every bit as jaw dropping as it looked in the film. It's so virgin and green, it's like God said 'lets try again' and he got it right this time!
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One of the greatest things drama can do, at it's best, is to redefine the words we use every day such as love, home, family, loyalty and envy. Tragedy need not be a downer.
