Drama Quotes
-
Justin Lin, the writer and director of the teenage-wasteland drama 'Better Luck Tomorrow,' a shrewdly tense piece of storytelling, recognizes that sometimes it's good for a filmmaker to stir up trouble.
Elvis Mitchell
-
I think that's what makes characters interesting - when you paint a person into a corner, and you see what they do to get out of that corner. It's what makes drama drama.
Andre Holland
-
I did dancing and singing when I was little, and then when I was 12 years old my friends were taking speech and drama at school. They were private lessons, and I started doing that. Over the years everyone else dropped out and I just kept going. I loved it.
Bella Heathcote
-
I'm a drama nerd.
Luke Kirby
-
In your early 20s, it was maybe acceptable to have a friend who was taking all of your time and energy and exhausting you and always a drama. When you're in your 30s, or you're starting to have babies, you just can't put up with it anymore, and that's okay, because I think your priorities shift.
Busy Philipps
-
I want to be the kind of actress where, if I'm in the press, I'm in for the right reasons - for my work. To be in the press about family drama is kind of embarrassing.
Ariel Winter
-
I started really young, like 12 or 13, and then I started doing school plays. We had a really good drama department, so the kind of drama-geek stigma wasn't really there in my high school.
Matt Damon
-
The Federal Building's large Ceremonial Courtroom, reserved for show trials, is veneered in executive teak. Bench, counsel tables, jury boxes, entrances, and exits -- all are as formally arranged as an Elizabethan stage. Only the drama is shapeless, at least to those of us who have never seen a trial before. We see only random movements, sequences, comings and goings, no form or agenda apparent. To us the action is less like watching a play than watching an aquarium.
Shana Alexander
-
My goal has always been, from the time I was at drama school, about longevity.
Genevieve O'Reilly
-
Acted drama requires surrender of one's self, sympathetic absorption in the play as it develops.
George Pierce Baker
-
We shoot with three cameras, try to shoot both sides of coverage if possible. That allows the actors to overlap and to find moments that feel more authentic and real than what you sometimes would normally get in a scripted drama that's shot more classically. And that's something in 'Parenthood' that has evolved.
Jason Katims
-
It is remarkable how virtuous and generously disposed every one is at a play.
William Hazlitt