Drama Quotes
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I have such a respect for comedy. It's a lot harder than doing drama, in my opinion; you have to have sort of an innate sense of humor. There are rules to comedy you can learn. But ultimately, it really does require a certain point of view on the world, and that really does appeal to me.
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I was hellbent on going to drama school, but my mother, rightly, panicked and persuaded me to go to university on the grounds that a degree would be 'something to fall back on.' Whilst at college, I realised I wasn't good enough or robust enough to be an actress.
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For me, comedy and drama are all the same thing. How the comedy ever even started in my life was that moments got uncomfortable and I felt uncertain of what the outcome was going to be, so I found a way to deflect what I was feeling, or what everyone else was feeling, by creating laughter.
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When I left school I went to Australia for a year and worked in the drama department of a school in Perth.
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If Attila the Hun were alive today, he'd be a drama critic.
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I was always keen to get involved in the school drama productions and was a member of the school choir. I was lucky to have attended schools that took music and drama very seriously and the teachers were just brilliant.
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Drama or comedy programming is still the surest way for advertisers to reach a mass audience. Once that changes, all bets are off.
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It's always been fun for me to play somebody else. I did drama class when I was younger. It kind of just happened. I never said, 'I want to act.' I just auditioned for the role, I got it. I was blessed with this opportunity to be in 'Earth to Echo.' It's fun for me; it's cool to do.
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To me the industry has always said that the lovers and haters and principal characters will always be white in Hollywood, and black people will always be appendages of those kinds of dramas, or they will be comedic outlets. It will never change.
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I've done a lot of costume drama and theatre - the National Theatre and In fact, most of my work at the theatre, at the National Theatre anyway, was period.
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I think journalism gets measured by the quality of information it presents, not the drama or the pyrotechnics associated with us.
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I went to study English for two reasons. Principally because when I was in university, studying drama wasn't considered an option. You couldn't get a degree course for it. And so many plays and things that I was interested in landed themselves in a broader spectrum of literature.
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You're writing about young, vibrant people; there are wins and losses. In other words, it's great drama.
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I'm a warrior, I went into jail for the drama. I'm the story of the terrorist cell of Osama
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Where there is no belief in the soul, there is very little drama . . . . Either one is serious about salvation or one is not. And it is well to realize that the maximum amount of seriousness admits the maximum amount of comedy. Only if we are secure in our beliefs can we see the comical side of the universe.
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When you're a kid, regardless of the age you grew up, everything is high opera. With hormones raging, you have to fight external and internal battles that you've never had to deal with before. Unlike Tony Stark and Steve Rogers, who have seen it all and been through it all, everything heightens the drama.
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I'm not interested in 'abstracting' or taking things out or reducing painting to design, form, line, and color. I paint this way because I can keep putting more things in it - drama, anger, pain, love, a figure, a horse, my ideas about space. Through your eyes it again becomes an emotion or idea.
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Above all, we should acknowledge that the collapse of the Soviet Union was a major geopolitical disaster of the century. As for the Russian nation, it became a genuine drama. Tens of millions of our co-citizens and co-patriots found themselves outside Russian territory.
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I've been bouncing around from comedy to drama and TV and film.
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In a recession, people want to be told for two hours that everything is going to be OK. They want to escape from their humdrum or painful reality into a feel-good drama, or a love story that transcends their daily life.
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I went to art school in the days when it was what you did if you didn't want to be like everybody else. You wanted to be strange and different, and art school encouraged that. We hated the drama students - they were guys with pipes and cardigans.
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I write traditional drama, and the small enclosed communities work well with this form. I enjoy exploring secrets. On small islands, privacy is important, and there are secrets that everyone can guess but nobody talks about.
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'Angels in America' - which is composed of two three-hour plays, 'Millennium Approaches' and 'Perestroika' - proved to be a watershed drama, the most lyrical and ambitious augury of an era since Tennessee Williams's 'The Glass Menagerie.'
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I would love to do a drama. I did a couple of episodes of The Good Wife, which is more of a drama. I really liked that; I thought it was interesting. A lot of my favorite comedies play out as dramas.
