Drama Quotes
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Alden Ehrenreich is a drama nerd, and Alice Englert is indie girl. They're so cool in the way that our characters are cool.
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LeBron is a great player and a great guy, but he's a drama queen.
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I think my home is in that sort of the part of cinema that's disappeared is where I lived, that sort of mid-budget you know, drama. I suppose that's what I am known for.
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I love different sorts of people, their stories, all the different facets, that make them, them. This is entwined with how I am compelled to tell many of these stories and have ended up being a broadcaster after originally going to drama school and working in fashion for a bit.
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At his heart, Shakespeare was a YA author. So many of his plays are set with high school-aged characters. He understood the passion, the confusion and drama that marks that life stage.
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In a recession, people want to be told for two hours that everything is going to be OK. They want to escape from their humdrum or painful reality into a feel-good drama, or a love story that transcends their daily life.
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Ever since 'Hail to the King,' we've been more cognizant of our chord progressions, our key changes, drama in songs, a lot of dynamics - we've really added a lot of that in there.
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I had grown up accustomed to living a life of high drama.
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Talk. I'll just wait' shall I? Because my mission to save this town is of no importance whatsoever next to your girl talk."- Myrnin "Oh, shut up, you medieval drama queen" - Claire
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There's real drama in performing live. You never know how it's going to be.
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Theres no drama like wrestling.
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I like the idea of up-and-coming actors nowadays being a little different and not necessarily the drama-school stereotype, being a bit more edgy.
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By whatever means it is accomplished, the prime business of a play is to arouse the passions of its audience so that by the route of passion may be opened up new relationships between a man and men, and between men and Man. Drama is akin to the other inventions of man in that it ought to help us to know more, and not merely to spend our feelings.
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I wrote an ITV drama in the 1960s, a satire on management theory that starred Leonard Rossiter. I'm also a poet and have had work in the 'Spectator.'
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I'm in an odd place right now in New York where I routinely get trashed by every daily drama critic and have a few allies among weekly/monthly drama critics, and you sort of plot these things out and figure it out. But it's just what any writer goes through, periods of favor, periods of disfavor. And the trick is just to keep writing and to not let an obsession.
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In comedy, something may be more absurd, but you have to believe just as much as you do when you're doing drama.
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Life is short, I have no time for drama.
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'The Good Wife' has actually been something, ironically, that I've watched since episode one, season one in the U.K. because it came up when I was in drama school. I always watched it. It was kind of like an actor's show.
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Acting is easier and smoother than singing - it's less drama.
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I trained at the Oxford School of Drama.
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I'm always interested in the ways in which a character can inhabit either a theme or a premise personally, so that those scenes that are about his character or his relationship with other characters feel in context and don't seem to be apart from or oddly vestigial to the actual drama.
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I was a natural drama queen when I was younger. I was always doing impersonations and showing off.
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I am attached to an incredible script called 'Wonder Drug,' about the DES drug disaster. It's a female-based drama, and I am so proud to be a part of because hopefully it will help evoke change - not only in our industry, but in the battle again corruption in big pharma.
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As a young girl, I was too intent on getting to London and drama school and out of east Yorkshire to think about winning Oscars. I did win a Bafta once, and was so unprepared for it I jabbered on for a minute - a minute too long.
