Drama Quotes
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I have such a respect for comedy. It's a lot harder than doing drama, in my opinion; you have to have sort of an innate sense of humor. There are rules to comedy you can learn. But ultimately, it really does require a certain point of view on the world, and that really does appeal to me.
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What serialized cable dramas have given us is the opportunity to not simply tell the same story with slightly different words and different costumes, every week. people are really mining the ability of storytellers to tell a long form story that goes from A to Z, and to trust that an audience will follow that. If they miss it, over the course of the week, they can watch it online or buy the DVD. There are so many different ways of interacting with it. Storytelling in television is getting more complex and more nuanced.
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I wound up getting pulled into being a consultant on the Lifetime drama 'For the People.' The executive producer said, 'I want you to write scripts.' We sold pilots to a bunch of different networks.
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I understand our audience loves to see some drama on TV, but even they have got bored with similar patterns of carrying out reality singing shows.
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So many reality shows are scripted and create this fake drama, and it's a bunch of bull. We wanted to do something real and something wholesome and something that's focused on positive family values.
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Drama or comedy programming is still the surest way for advertisers to reach a mass audience. Once that changes, all bets are off.
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'Va Savoir' is a lovable comedy about love that looks upon life as drama and uses the world of the theater as a staging device.
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I've always felt that acting is acting, at the end of the day, so whether you're doing comedy or heavy drama or anything else in between, you always have to bring a semblance of honesty to it. It's all make believe.
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In avant garde drama ... primitivism goes hand in hand with aesthetic experimentation designed to advance the technical progress of the art itself by exploring fundamental questions: What is a theatre? What is a play? What is an actor? What is a spectator? What is the relation between them all? What conditions serve this best?
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Most actors here go to the West Coast; I ended up going to Ireland. My buddies who left drama school, they had this arrogance - 'We don't want to typecast ourselves.' But I said, 'I want to do Irish parts. That's the thing that's gonna give me the leg up.'
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We read too much Shakespeare at school, and view our parliamentary politics as dynastic drama, in which an impatient crown prince frets at his long subordination and begins to scheme for the throne he knows he merits, was promised and has earned.
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On the whole, a director who make the set a comfortable place to work is really important, whether it's a comedy or drama.
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The great thing about New York is that you don't have to set out to do anything. Whenever I go without the kids, I walk all day and see the most interesting stuff. There's always some kind of drama playing out.
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We are all equal children before our mother; and India asks each one of us, in whatsoever role we play in the complex drama of nation-building, to do our duty with integrity, commitment and unflinching loyalty to the values enshrined in our Constitution.
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Drama moves us: conflict is an inherent pattern in reality. Harmony moves us too: faced as we are with ever imminent disorder. It is a powerful idea. Van Gogh's drama and Seurat's silent harmony were born in the same country and epoch: but they do not contradict one another; they refer to different patterns among those which constitute reality.
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We've seen each other fight like heck, and seen each other absolutely humiliated...and we've ever held hands....but we still don't know each others names.
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I think it's harder to go from comedy to drama than from drama to comedy. Seeing you dramatic all the time, they crave to see you being silly or funny. But, seeing you in comedy all the time, it's hard to see that person go be serious, for some reason.
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I had a great drama teacher, and he sort of made out drama school as this incredibly difficult thing to get into: 6,000 people apply every year, and some of the schools only have 12 places. It's a phenomenally difficult thing to get into. And that excited me - I wanted that challenge.
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Nothing would make me happier than doing nothing but drama for the foreseeable future.
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I'm into parlor dramas. I'm into theatre. I'm trained for the stage. I trained to do Chekhov and Shakespeare, I was trained for the stage.
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Whatever your business is, we all have a drama going on in our own lives. We're all unhappy about something. You have sickness, marital problems, a myriad of things going wrong in everybody's life. You have to deal with those things right away. You have to get their full concentration on football. I'd like to be able to communicate even more with my players when things aren't going bad, but it's just like everything else in life. The problems take over, and you wind up chasing the problems. I'd say handling people is the most important thing you do as a coach. Dealing with people, really, is all football is.
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When you graduate and come out with a degree in drama, that doesn't mean you're skilled and you're a professional.
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I love shooting with real things in the real world. I think it gives a level of drama, performance, and everything seems to rise to the occasion.
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For me, something that's been always really important to me, that's also really served me well in hindsight, is doing different things, trying to cross different genres, and dipping my toes into comedy and drama and action here and there. Fortunately, as I've been working, the industry has also changed where you're able to dip your toes into different mediums, where it's not just independent film and studio film, but now you've got TV, and you're able to do all these different things. For me, it's just a matter of continually pushing myself and challenging myself.
