Drama Quotes
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I've always said that with kids' TV that people get stuck in it from drama school but that's not fair because I know myself that when you go in creatively, kids are so much more open to ideas. You're so much freer to mess about and try things.
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Comedy and drama are both challenging to me.
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At some point in time, you definitely have to go drama. Not to say that you're going drama just because everybody else does it. You do it to challenge yourself. You do it because, naturally, in the profession of acting, you want to show growth. You want to say that you take the craft seriously.
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Along my path, I've realized that this comedy/drama balance is something that's really interesting to me, and I feel, like, authentic to my voice.
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We watch movies about all sorts of things that we don't know anything about, but we do get caught up in the human drama.
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Nature is full of drama. I know nothing about biology, about birds, about insects, about the details of politics. I just make movies about human interest stories.
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I can't imagine not playing Wynonna, because I get to play so many different things. In any given episode, I get drama and comedy and horror and all the notes of life, and very few shows or movies give you that opportunity.
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I think humor is like a shield that lets you get as close to the sad sad flame as possible - far closer, oftentimes, than drama.
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"You ever have that happen where you meet someone and just - clash? We were like a gravel and cream sandwhich." "That is the weirdest thing you have ever said. I suppose you were the cream?" "Of course I was the cream. Sha."
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When you turn your life over to God, you don't give up the drama; you give up the cheap drama.
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'Hibakusha' is an animated docu-drama that Choz Belen and I are directing, and it will take you through the earliest memories of a Hiroshima atomic bomb survivor named Kaz Suyeishi.
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Opera is credible drama now, and it costs less than going to a football match. What have you got to lose?
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One of the more problematic aspects of the current state of cinema in Japan is that the movies playing in the theaters are by and large made not by film studios but by broadcasting companies. They're either extensions of popular television dramas or adaptations of manga or anime. Younger Japanese are simply not being exposed to good films. That situation needs to change.
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I think when people talk about lighter drama, they tend to use that term, not derogatorily, but 'lighter' means sort of less to a degree, but if you're an actor, light drama is often mistaken for easier drama.
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My father was an actor. Both of my older brothers are actors. My younger sister is an actress. For me, that's my job; that's my craft. But then all through school and through drama school, I was gigging and running nights and playing in bands, and I just didn't want to let that go.
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I like people to be surprised by the turn of events. I don't want things just to be pat and formulaic. If there's some sort of internal combustion in the character or a desire to change the way things are going, that makes for conflict, which is the essence of drama.
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Thank God my life is normal. I work hard to make it normal. My husband and I don't want Hollywood drama. I go to the market and do the dishes. I'm not treated differently because I work on TV.
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There's no end to the stoppage of this drama
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That's the great thing about university: you've got people around you who are taking a risk and trying things out themselves. It gives you the confidence to try and take it to the next step, which was drama school.
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Mascara is my daily essential. I pile it on top and bottom lashes during the day. If I'm going out, I'll add the individual Eylure lashes at the outer corners for more drama.
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I think it's harder to go from comedy to drama than from drama to comedy. Seeing you dramatic all the time, they crave to see you being silly or funny. But, seeing you in comedy all the time, it's hard to see that person go be serious, for some reason.
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In my last year of drama school, I was Abigail in 'The Crucible' and Nina in 'The Seagull,' and I did some Shakespeare with the RSC. That's what casting directors saw me in, and I got put up for a lot of period drama auditions. I always get told I suit the costumes. I don't think I have a very modern-looking face.
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The first time my mum and dad went to the theatre was at my drama school in third year.
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You can't come out of drama school and think, 'It's all going to be amazing.' You have to expect to work in a bar for at least five years and be a waitress for maybe two!
