Drama Quotes
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I'm not a comedian. I can play off of people, but I'm not that guy. I don't want people being like, 'Yeah, he should have stuck with drama.' It would not be my choice to have critics mumbling that.
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Drama can be an addiction. It's so, so sneaky. Jealousy - all of those things can really send you in a lot of different crazy directions.
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Comedy is so hard; it's so much harder than drama. The pacing of it, the energy of it.
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One of the more problematic aspects of the current state of cinema in Japan is that the movies playing in the theaters are by and large made not by film studios but by broadcasting companies. They're either extensions of popular television dramas or adaptations of manga or anime. Younger Japanese are simply not being exposed to good films. That situation needs to change.
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I've always said that with kids' TV that people get stuck in it from drama school but that's not fair because I know myself that when you go in creatively, kids are so much more open to ideas. You're so much freer to mess about and try things.
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Breathes life into a vital but oft-neglected chapter of our history. Amy Belding Brown has turned an authentic drama of Indian captivity into a compelling, emotionally gripping tale that is at once wrenching and soulful.
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Everyone's got to make one submarine drama in their life.
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Of the people who cook on television, I have admired people like Jacques Pepin, Julia Child, Mario Batali, Jamie Oliver and a few others because they are free of drama, display good taste and masterful technique, and use clear exposition to bring you up to speed.
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Forgotten was presented to me by the drama department at LWT as a concept and I found it immediately intriguing and very powerful. I was completely led by the power of the piece and its dramatic potential.
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Happiness is but a mere episode in the general drama of pain.
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You can't come out of drama school and think, 'It's all going to be amazing.' You have to expect to work in a bar for at least five years and be a waitress for maybe two!
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I failed the audition to get into drama school.
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Lyric writing is the hardest part. It requires some life to have been lived. You can't write a great song every day for the rest of your life, because you need to have life in between the songs. You have to have the drama and the thrills and the sadness in real time so that it informs your heart later.
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The past is remembered as if it were a drama in which the self was the leading player.
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I wrote my first play, Uncommon Women and Others, in the hopes of seeing an all-female curtain call in the basement of the Yale School of Drama. A man in the audience stood up during a post show discussion and announced, “I can't get into this, it's all about girls.” I thought to myself, “Well, I've been getting in to Hamlet and Laurence of Arabia my whole life, so you better start trying.”
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If you can't get your core audience to watch the show, it's very hard to then pull in enough people outside of your fan base to your network. The networks are just so branded now; USA can't really do a dark despairing drama and FX can't do a blue-sky show. People watch the networks they watch.
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I've been acting since I was 9, but in college I entered the drama program, and I didn't excel at it at all, kind of for the first time.
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When you start getting jobs, and see your mates from drama school, you don't really want to talk about it, because you have this innate sense of guilt that it's not fair that others aren't doing exactly what you're doing. I do have that.
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My curse on plays That have to be set up in fifty ways, On the day's war with every knave and dolt, Theater business, management of men.
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Every relationship has its drama and baggage.
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I can't relax when I'm watching a biographical drama because it's so close to what it is that I do that I just long for more fiction - so that I can switch off.
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At some point in time, you definitely have to go drama. Not to say that you're going drama just because everybody else does it. You do it to challenge yourself. You do it because, naturally, in the profession of acting, you want to show growth. You want to say that you take the craft seriously.
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Sitcom hours are silly easy compared to drama. Whenever an actor on a sitcom complains, I feel like smacking them!
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I got into the Shanghai Drama Institute because my parents, like all parents, want their children to have good grades and to go to a good college. I became a college student because of them.
