Drama Quotes
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Sometimes, one gesture comprises an entire drama, the accent of one word ruins an entire existence, and the indifference of one glance kills the happiest passion.
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Doing drama is a very welcome departure from comedy. Although I love doing both, I like to change it up a bit once in a while with roles in serious drama.
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I was interested in drama, but it never seemed like a real profession somehow. It was so outside my experience, and I probably wouldn't have had the confidence for drama school, though I did send off for an application form.
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I think that I am interested in the resonance between character drama and high stakes, either situational or political or social or other kind of elevated drama, and I tend to find that those things combust.
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Drama is hate. Drama is pushing your pain onto others. Drama is destruction. Some take pleasure in creating drama while others make excuses to stay stuck in drama. I choose not to step into a web of drama that I can't get out of.
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Considering the wealth of poetic drama that has come down to us from the Elizabethan and Jacobean periods, it is surprising that so little of any value has been added since.
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As a journalist, a big part of what you do is search for drama and conflict. And a lot of the backstory with 'Billions' is grounded in my journalistic background.
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As I got older, I auditioned for drama school and shocked myself by getting in.
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I like people to be surprised by the turn of events. I don't want things just to be pat and formulaic. If there's some sort of internal combustion in the character or a desire to change the way things are going, that makes for conflict, which is the essence of drama.
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I didn't go to drama school, so I didn't really have many true friends in the business; 'Game Of Thrones' has definitely brought me that.
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I do like comedy and drama.
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'Hibakusha' is an animated docu-drama that Choz Belen and I are directing, and it will take you through the earliest memories of a Hiroshima atomic bomb survivor named Kaz Suyeishi.
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Along my path, I've realized that this comedy/drama balance is something that's really interesting to me, and I feel, like, authentic to my voice.
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Each painting is linked to a fundamental drama.
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As for whether genre considerations influence what I write, they don't at all, but I might sell more books if they did. The Night Journal is a hodge-podge of historical fiction, western, mystery, and contemporary domestic drama. It doesn't settle into a specific market, reviewers have a hard time describing it, and sometimes it gets classified weirdly in bookstores. But from a writer's standpoint, I like that it's hard to categorize.
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One of the more problematic aspects of the current state of cinema in Japan is that the movies playing in the theaters are by and large made not by film studios but by broadcasting companies. They're either extensions of popular television dramas or adaptations of manga or anime. Younger Japanese are simply not being exposed to good films. That situation needs to change.
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Westerns aren't about the gunfight, even though it has to be there at one point. It's not what they're about, at least the good ones. It's about the drama. It's about the resourcefulness of men and women.
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Time takes her toll and the memory fades but his glory is broken, in the magic that he made. Reality is ruined; it's the freeing from the fear The drama is distorted, to what they want to hear Swimming in their sorrow, in the twisting of a tear As they wait for a new thrill parade.
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Opera is credible drama now, and it costs less than going to a football match. What have you got to lose?
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Mascara is my daily essential. I pile it on top and bottom lashes during the day. If I'm going out, I'll add the individual Eylure lashes at the outer corners for more drama.
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Sitting in an automobile was where I first remember understanding how drama works ... Hidden in the back seat of a sedan, I quickly realized how deep the chasm or intense the claustrophobia could be inside your average family car.
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I always wanted to go to a drama school.
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A lot of these types of films - the vigilante or revenge drama - were so popular in the '70s because there was a feeling in the culture of loss of control.
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At some point in time, you definitely have to go drama. Not to say that you're going drama just because everybody else does it. You do it to challenge yourself. You do it because, naturally, in the profession of acting, you want to show growth. You want to say that you take the craft seriously.
