Drama Quotes
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You will permit me to say, that a greater drama is now acting on this theatre than has heretofore been brought on the American tage, or any other in the world. We exhibit at present the novel and astonishing spectacle of a whole people deliberating calmly on what form of government will be most conducive to their happiness; and deciding with an unexpected degree of unanimity in favour of a system which they conceive calculated to answer the purpose.
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I started studying theater in school, and then I got into drama school at, like, 19, and it was a national drama school in Montreal, and so it was just you and nine other students for three years, and it was really intense.
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I wouldn't have been able to go to drama school when I was 19. I don't think I was even conscious of life... I was like a zombie. But when I finished uni' I just realised... just go and do it, stop being a knob.
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At some point in time, you definitely have to go drama. Not to say that you're going drama just because everybody else does it. You do it to challenge yourself. You do it because, naturally, in the profession of acting, you want to show growth. You want to say that you take the craft seriously.
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Everyone's got to make one submarine drama in their life.
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Everyone sees drama from his own perspective.
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Michigan is two radically different places - the North and the South which makes for good drama and contrast.
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A lot of these types of films - the vigilante or revenge drama - were so popular in the '70s because there was a feeling in the culture of loss of control.
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The only way you can write about a happy family in a drama is to make them unhappy.
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One of the more problematic aspects of the current state of cinema in Japan is that the movies playing in the theaters are by and large made not by film studios but by broadcasting companies. They're either extensions of popular television dramas or adaptations of manga or anime. Younger Japanese are simply not being exposed to good films. That situation needs to change.
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I am certainly not drama-free in my life, and I used to be a lot more feisty, but I have arrived at a place where I really try to not sweat the small stuff anymore.
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I think humor is like a shield that lets you get as close to the sad sad flame as possible - far closer, oftentimes, than drama.
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People have always asked, 'Do you prefer comedy or drama?' And my answer is, 'Both, at the same time.'
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I studied drama in high school, and when I was 18, I studied at the Actors Studio in New York. Then I moved to London when I got engaged to Bryan Ferry, and I studied at the National Theatre there.
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After 'NewsRadio,' I did say to my agent, 'If I get another TV show, I'd want to do a drama.' Then I got offered the part on 'ER,' and I was on that show for eight years.
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The Conquest is not a film about Nicolas Sarkozy - it's a film about political conquest. It's a Shakespearean expression, where we have all the elements of a drama, both political and personal at the same time. The decors and the costumes are all based on real photos - I wanted to be as close to reality as possible. Nicola Piovani's theatrical music gives a distance that's almost Chaplinesque, there's something quite funny. There's no imitation, no caricature, no parodie - it's realism with a distance where the dialogues are often quite funny.
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Every relationship has its drama and baggage.
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American men are more open, they are readier to express their emotions, but they also get frightened easily. Italians are used to drama. For us, arguing, shouting is perfectly normal - for them it is inconceivable.
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I get a lot of dramas, but I'd like to do a romantic comedy type of movie; that'd be a nice step for me. No more screaming or running or shooting... for one movie where I can just be in love with a boy.
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Worship isn't God's show. God is the audience. God's watching. The congregation, they are the actors in this drama. Worship is their show. And the minister is just reminding the people of their forgotten lines.
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I got into the Shanghai Drama Institute because my parents, like all parents, want their children to have good grades and to go to a good college. I became a college student because of them.
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On the whole, a director who make the set a comfortable place to work is really important, whether it's a comedy or drama.
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Nothing is forever, and I do still talk about when I'll come back to Britain. I'd love to come back and do a nice big juicy period drama. I don't understand it when people suddenly turn their back on Britain or Scotland. I'm so aware of it, and it's so much a part of who I am.
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A full moon is a flashlight so everyone can see your drama!
