Drama Quotes
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I think my life has everything, you know; it has comedy, has drama, has action.
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My philosophy is making a movie is difficult enough and I just feel as if you should have a really good time when you do make films whether it's a drama or a comedy.
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There are mythic patterns under all of our lives. Each one of us, often unbeknownst to ourselves, is engaged in a drama of soul that is not reserved only for gods, heroes, and saints. Story is one bridge between the human realm and the divine.
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Drama is like a dream, it is not real, but it is really felt.
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Real life is messy, and drama is a shaped version of real life.
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The White Queen in many ways it is representative of the sort of drama that I'm talking about. The books by Philippa Gregory were best sellers and they specifically told the story of history from the point of view of women.
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Boarding school in Tring was a bit of a bubble that burst when I went to Hackney to go to drama school.
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I find that in preparation for a drama you can do a lot of character work and develop the character and know what you want to achieve and project throughout the course of the film.
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Being No. 1 on any call sheet is difficult. Being No. 1 on an episodic, hour-long drama is really hard.
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I'm here to challenge myself and to see whether I can shape-shift in an environment that's actually quite daunting, but which I think would be nice to shine a light into. The destination of any interesting drama is that you shine a light into a place that not many people know about.
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Homework, root canals, and deadlines are the important things in life, and only when we have these major dramas taken care of can we presume to look at the larger questions.
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I'm not a huge drama person. I think I liked them more when I was younger.
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I've always loved the drama and the creating of a role and performance and all that comes with that, but I then also kind of like to have just the white picket fence life if that makes sense.
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It has nothing to do with the emotional demands of a role; I've done comedies that are as draining to me as any drama.
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Documentaries are unpredictable. You never know what will turn up, and the drama occurs in real time. But if you listen to people, a narrative always emerges.
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Even in a manuscript form, 'The Girl on the Train' sort of leapt off the pages as a contemporary suspense drama-slash-thriller. It has all the mechanics of a thriller, but at the heart of it was a great character study.
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A certain amount of volatility and drama can me healthy and keep things fun and interesting if you're willing at any moment during a fight to say, 'This means nothing. I love you, let's forget about it.
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I hate that you don't have the insight. I hate that you shamelessly returned despite being kicked out. I hate that you don't even seem to have the slightest self-respect. And also the fact that you used San as your "heart-wrenching" excuse to return. Back to this hell-hole.
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I was a huge 'Star Trek' fan. I loved the 'Twilight Zone' growing up. In the future, I hope to create some thoughtful, sci-fi drama.
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I literally grew up in drama. I used to watch drama - the catharsis of the play - then see drama at home.
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In Britain you're more used to challenging drama. In America, TV is just boring, and numbing, and bloody terrible.
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I wanted to be Dustin Hoffman or Robert De Niro or Al Pacino. I thought I was going to be a dramatic actor, but comedy sort of started out first, and I was like, 'Maybe I'll find some more drama later on in my career.'
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Carl Rinsch has a good balance between the visual and the drama and action, so I thought if he's going to direct, we can make a new, epic film. My fear was gone when I met him.
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I think television is a unique form, in terms of storytelling. Having source material for these really dense, complicated, serialized dramas is a great way of world-building.
