Playwright Quotes
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One is just an interpreter of what the playwright thinks, and therefore the greater the playwright, the more satisfying it is to act in the plays.
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I make my living now as a screenwriter! Which I’m surprised and horrified to find myself saying, but I don’t think I can support myself as a playwright at this point. I don’t think anybody does.
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As playwrights, as poets, we have to look to ourselves, listen to our guts for the final answers about what changes to make. Everyone has advice about how to end your play differently. And it's not about right or wrong. At the end of the day, it's your baby and you know what's best.
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The playwright's rendition of Abraham Lincoln remembers a pitiful little paddlewheel he saw that he could only generate steam to EITHER blow the ship's whistle OR move the wheel. Just as the little ship could not do both, Lincoln fears that very few can actually think and speak at the same time.
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I, too, am deeply concerned with an overarching idea that dramaturgs are now authors . . .. I am not taking the position that all dramaturgs own copyright, deserve special billing credit, or should receive remuneration akin to that of the playwright. I know from my ears at the Dramatists Guild that almost everyone a writer encounters has suggestions of how to write and rewrite the play or musical to make it work.
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When you tell people you're a playwright, their eyes sort of glaze over. But when you say you write the 'Fantastic Four' or 'Spider-Man,' they perk up. It's a touchstone that has gained more credibility as artistic expression.
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For many playwrights, they write the plays anyway because they've got to be, the work has been started, it's got to be finished, but we all long, I think, to see the plays fleshed out on stage and I'm exactly like that. Yes, I'm not satisfied until I actually see it on stage.
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Maybe she would have done more good as a playwright than as a doctor, after all - clichés were like plaque in the arteries of the imagination, they clogged the sense of what was possible. Maybe if enough people had worked to demolish clichés, the world wouldn't have ended.
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No matter how successful I become as a playwright, my mother would be thrilled to hear me tell her that I'd just lost twenty pounds, gotten married and become a lawyer.
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I'm on Twitter every single week. It's sort of like being a playwright standing in the back of the theater.
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One of the things that's different about London and the English market is that theater and film and television are all based in London. It's not quite the same as in the States where if the playwright here wants a successful TV or film career, they're whisked away by Hollywood.
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A play has two authors, the playwright and the actor.
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One of the best things that happened for me as a playwright is becoming a comic-book writer.
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The psychological detective story in "Equus" made Peter Shaffer's name as a playwright. But it was his next play, "Amadeus," that cemented his reputation, largely because of the movie version. Another battle of wills, it was the story of composer Wolfgang Amadeus Mozart seen through the eyes of lesser composer Antonio Salieri.
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What was once a cottage industry dedicated to the discovery and development of new voices and works has become instead the raison d'etre for many a playwright's existence . . .. And since readings have become playwrights' main source of exposure, the nature of playwriting has changed to fit readings' needs. Investigation into what is eminently theatrical has been substituted - more and more these days - by what can simply come across and read well.
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A skillful playwright might have a good time with the story of the assassination of President William McKinley, and especially with the three most flamboyant political figures involved: Mark Hanna, Theodore Roosevelt, and Emma Goldman.