Photographers Quotes
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... I think it is fair to say that all war photographers hide behind their cameras. I hid behind mine for years and years and years. It was a shield... I think that the photographer in combat has a greater protection than the soldier who has a rifle in his hand. That camera has unbelievable protective power.
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I was a model for 10 years and I was so frustrated, I was lively and always had fun ideas but the photographers were always like, just stand there, look to the left, look to the right, don't smile.
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...photographers who carry 60 pounds of equipment up a hill to photograph a view are not suffering enough, although their whining causes enough suffering among their listeners. No, if they really expect us to respect their search for enlightenment and artistic expression, in the future they will drag the equipment up the hill by their genitals and take the view with a tripod leg stuck through their foot.
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I admired a tremendous number of photographers, but for some reason I arrived at a point of view of my own.
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Photographers have already photographed everything too many times, except cheese.
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What attracts the photographer is precisely the chance to penetrate inside phenomena, to uncover forms... He pursues them into their last refuges and surprises them at their most positive, their most material and true.
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I still think photographers should be lashed out at. They should be put in a cage where you can poke them with a stick for a quarter. But not in a hostile way, just for giggles. They really are on the attack against mankind; it's a disease. They should be helped somewhere. But I'd still like to poke them with a stick.
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Believe in yourself. Listen to the photographers you work with, and try to be professional at all time.
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Here's the beauty of a camera: you don't have to come up with words for what you're looking at... Maybe another angle is needed sometimes. When we're burned out from writing, we can photograph or draw, look at the world in a different way, and photographers could try writing what they see.
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Why do photographers photograph? To make unreality visible.
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Upgrade your user, not your product. Value is less about the stuff and more about the stuff the stuff enables. Don't build better cameras - build better photographers.
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It is not sociologists who provide insights but photographers of our sort who are observers at the very center of their times. I have always felt strongly that this was the photographer's true vocation.
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Reporters listen, photographers look. If you are doing your job seriously as a photojournalist, your sight must be the primary sense that you use at all times.
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I certainly don't mean to suggest that all investigative journalism prior to 9/11 in the US was praiseworthy. But there were more examples to which one could point, and there were at last some activist photographers who understood that getting information into the public sphere in spite of military censorship was a right and obligation within democracy. That strain in war journalism did nearly vanish during that time.
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A photographer's best pictures are from deep inside him, and also some of the worst. Some photographers enjoy distinguished careers without ever taking personal photographs. Others, audaciously and arrogantly and courageously discharge their most private feelings through photography. Trouble is, sometimes it all adds up to baloney.
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... we photographers are nothing but a pack of crooks, thieves and voyeurs. We are to be found everywhere we are not wanted; we betray secrets that were never entrusted to us; we spy shamelessly on things that are not our business; And end up the hoarders of a vast quantity of stolen goods.
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As a model you have to convey something with one look - and actors will have a scene and they can sort of do it, but models have to convey what photographers want. It's a bit of an art.
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...it is pretentious for photographers to believe that their pictures alone change things. If they did, we wouldn't be besieged by war, by incidents of genocide, by hunger. A more realistic assessment of photography's value is to point out that it is illustrative of what's going on, that it provides a record of history, that photographs can prompt dialogue.
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The best way for photographers to become rich and famous is to go into another field.
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The satisfaction comes from working next to 500 photographers and coming away with something different.