Identity Quotes
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Kenya is rapidly developing its industry and manufacturing, and its cultural identity as a new country. We had a humongous history pre-British, and when we were colonized and violently reshuffled, we had to decide who we were again. We couldn't rest on the stories and the cultures of our great-grandparents.
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Regimes are modes of self-discipline, but are not solely constituted by the orderings of convention in day-to-day life; they are personal habits, organised in some part according to social conventions, but also formed by personal inclinations and dispositions. Regimes are of central importance to self-identity precisely because they connect habits with aspects of the visible appearance of the body.
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And then Earl Scruggs comes along and transforms the banjo into a virtuosic modern instrument. For the first time, the Southern banjo style becomes the identity of the banjo, and everything from before is wiped off of people's consciousness by the power of that explosion.
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Freedom is the kind of essence of being a pirate: You're away from land-locked Europe. You're not part of the society. You're part of the brotherhood of the sea, Your ship is your sense of identity. So when you approach the wheel, that's what you own.
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Our sense of being a person can come from being drawn into a wide social unit; our sense of selfhood can arise through the little ways in which we resist the pull. Our status is backed by the solid buildings of the world, while our sense of personal identity often resides in the cracks
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Efficiency obliterates identity
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As a young writer, I questioned the idea that I had to write fiction in a world where I could write my own ethnicity only and nothing else. 'Fach' to me was a little like that. As a biracial person, that's an inherently unstable identity.
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After the first establishment of identity there comes the imperative need to lose this new-found sense of separateness and to belong to something larger and more powerful than the weak, lonely self. The sense of moral isolation is intolerable to us.
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I think that our work and our music stands on its own without this knowledge about our identity around it. But I also think that we very consciously decided not to hold back that part of ourselves, but to be very vocal about who we are, kind of what experiences we've had in life, and how we identify.
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I do think that people have a desire to talk about issues they may have wanted to avoid before. I've never had so many random conversations with people where they're so ready to talk about race, gender, sexual identity, or things that are happening in politics.
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Science arises from the discovery of Identity amid Diversity.
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The identity of the Filipino today is of a person asking what is his identity.
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I think the key to writing the truth of our existences, so much of this is being incubated online, is examining the conflicts and the messiness, our sometimes dividedness, dealing with gender and other hierarchies, and also our identities outside of them, deeply personal and yet somehow critical and circumspect.
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If people base their identity on identifying with authority, freedom causes anxiety. They must then conceal the victim in themselves by resorting to violence against others.
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Melissa McCarthy just opened this new movie, “Identity Thief,” and Rex Reed, who’s a known critic, wrote a scathing commentary on her weight. I think that weight designation is one of the last frontiers of bullying. I don’t know what the right “ism” for it is, but I think that there’s a level of that that’s happening that’s certainly not okay.
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Fighting for identity is something that is very much in my life.
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In India, I have been called a 'destroyer.' But that is only because they mixed my identity as a performer and as a composer. As a composer I have tried everything, even electronic music and avant-garde. But as a performer I am, believe me, getting more classical and more orthodox, jealously protecting the heritage that I have learned.
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All profound changes in consciousness, by their very nature, bring with them characteristic amnesias. Out of such oblivions, in specific historical circumstances, spring narratives… The photograph… is only the most peremptory of a huge modern accumulation of documentary evidence… which simultaneously records a certain apparent continuity and emphasizes its loss from memory. Out of this estrangement comes a conception of personhood, identity… which, because it cannot be “remembered”, must be narrated.
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I spent a lot of my childhood moving around, so I was constantly adjusting to different environments and finding a new identity.
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Throwing off despotism and tyranny is our history and part of our national identity - something in which we can take incredible pride.
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Throughout my childhood, I had served as an interpreter for my family. When I left home, I also left the Deaf community. I'd had enough of being a de facto intermediary and wanted to find my own identity. But, over time, I learned to embrace both cultures and find balance between them. I love my Deaf and CODA family and hope they would be proud to call me one of their own.
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I feel that its important for me to be out there and to represent the face. At the same time, for me as an individual, I think the Asian-American face can be crowded with the American identity.
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In using the style of the erotic/pornographic story, I am interested in dismantling stereotypes of an essential feminine identity, particularly one of exclusive tenderness and passivity.
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We cannot consume our way into personal growth. Yet, millions of us have bought into this cynical concept of faux identity.
