Track Quotes
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Whatever vocation you decide on, track down the best people in the world at doing it and surround yourself with them. Aim high and be ridiculously persistent. Your happiness is at the intersection of your passions and learning from great people. Working at a big company sucks--avoid it. Smaller companies are 10 times better for learning. Be generous with your time and money--it has an amazingly fast payback. Be in the moment with everyone you love--and this frequently means tuning out work completely. And drive slow in parking lots.
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The last sort of really low-key race I ran, I realized with about a hundred metres to go, that my heart just wasn't in it. I wasn't trying my hardest, I didn't care to compete against the girls I was up against. That spoke a lot about where my heart was taking me-which was off the track.
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I would be inclined to say 'if you are not willing to cooperate and follow the rules of your international federation you are not the right track and field association to be part of the USOC.
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There is nothing of which we are apt to be so lavish as of time, and about which we ought to be more solicitous; since without it we can do nothing in this world.
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"Suffragette" is an intense drama that tracks the story of the foot soldiers of the early feminist movement as they fight for the right to vote.
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I began with track and field because this is what I know.
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The reason for backing tracks is to not veer off too far from the record and have what the fans actually want to hear. Artists use backing tracks just so they can stay close to the record and what the consumer heard for the first time. It's not to be confused with lip synching or anything like that cos that's not happening at all.
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Driving fast on the track does not scare me. What scares me is when I drive on the highway I get passed by some idiot who thinks he is Fangio.
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When I was working with Talking Heads what would happen typically is that they would go out and start playing a track, and I would always run the tape. I always record everything, even a run through where you're trying to get in tune. That's a principle because sometimes when the situation isn't clear interesting things happen, and they are worth listening to again.
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I accidentally produced a Willow Smith track!
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I guess it's interesting trying to feel someone's vibe on a track that you've never met before.
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I only found out about Eminem getting on the track like a month ago. As if the song couldn't get any better. He just slays me, he's such a genius.
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And telling a story, I suppose, is like winding a skein of spun yarn- you sometimes lose track of the beginning.
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I'm a representative of something that's greater than myself. When you see me out there on the track, I'm not just representing myself or my country, I'm representing Christ and what He's done through me. I have a responsibility to show His love and show others what He's done for me. It's also freed me up.
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A lot of charter schools are non-union schools that take a lot of teachers from alternative tracks, like Teach For America. They do this in part because a lot of charter schools have very strong ideologies around how they want teachers to teach. And they find that starting with a younger or more inexperienced teacher allows them to more effectively inculcate those ideas.
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I've never heard Daft Punk; I've never heard a track of theirs in my life. They're the two guys with motorcycle helmets on?
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The only reason an indie gets made is because someone has a burning passion to do it and won't take no for an answer, as opposed to a big film, which is like a train that starts rolling down the tracks and nothing can stop it.
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Our achievements speak for themselves. What we have to keep track of are our failures, discouragements and doubts. We tend to forget the past difficulties, the many false starts, and the painful groping.
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If I want to be moved by the track, I don't want it to be sequenced, I want it to be somebody playing the guitar or piano or a horn arrangement where you can hear the breath. You can almost smell the studio while listening to the music. For me, that's what moves me emotionally, that's what I came from. I think that's always going to work best for me.
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We have to be able track the ways in which fear, for instance, is monopolized by state and media institutions, ways in which fear is actually promoted and distributed as a way of bolstering the need for greater security and militarization.
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We have to be able track the ways in which fear, for instance, is monopolised by state and media institutions, ways in which fear is actually promoted and distributed as a way of bolstering the need for greater security and militarisation.
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We're expecting Jim to be a leader on the track and off the track.
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The micro-compositions are the pieces themselves, but the macro-composition is the whole set of them and how it moves from track to track and how the titles relate to one another, for example. Always when I do records like this of a selection of instrumental pieces - the titles, to me, are very important.
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My dad and my mom had to sacrifice so much, and had to teach us and show us the way of going about things, how to be humble, all those things. They helped us stay on track for what we wanted to do.
