Track Quotes
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They have to worry about finishing ahead of me. I have to just finish ahead of them. At this point of the season, you don't think what might happen or keep track of the points; you just go for it, and that is what we are planning right now.
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I'm always on tour, so I'm always trying new tracks out live before they're released. That's more necessity than anything, because I don't get a proper chance to sit in a studio and work on tracks like other producers do.
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This is a very vintage inspired track. It’s rather slow at 120bpm, so that I could give lots of space for the powerful bass line and the TB303 acid line. What I like about this track is that its old school yet futuristic at the same time and works really well on the floor.
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If you make something good, people will make a track to your door. We made simple things that people wanted and kept them simple.
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I want to underline that the political process is back on track ... the cease-fire is back on track.
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All the armies of Europe combined could not by force make a track upon the Blue Ridge, or take a drink from the Ohio. If we are to be destroyed, we must do it ourselves.
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This track is probably the tune with the most reactions on dance floor of this album. People go mad ;) I used the same “Shepard Tone” (rising sound) plug-in that I used in my track “Total Departure” which came out on Drumcode in 2008 and added yet another crazy siren sound on top of it. The result is total dance floor mayhem.
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I like to envision the creation of a short story collection as being like putting together a jazz album. Yes, there's logic and literary structures imposed by me, but at the same time, all the tracks are shaped and ordered in a much more improvisational manner. The guiding principle for me is whether or not a story adds a layer or texture to the overall collection.
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When I saw my wife again standing by the tracks as the train came in by the piled logs at the station, I wished I had died before I had ever loved anyone but her.
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I guess it's interesting trying to feel someone's vibe on a track that you've never met before.
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I say you are a coward and you are; I think you hunt only to reassure yourself that you are not what you are: the weakest thing to ever walk the Earth. He will come for me and then we will be gone, and you will be helpless for all your hunting, because Westley and I are joined by the bond of love and you cannot track that, not with a thousand bloodhounds, and you cannot break it, not with a thousand swords.
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The micro-compositions are the pieces themselves, but the macro-composition is the whole set of them and how it moves from track to track and how the titles relate to one another, for example. Always when I do records like this of a selection of instrumental pieces - the titles, to me, are very important.
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I loved the idea of recording. The idea of sound-on-sound-recording captured me as a young kid, and once I realized what it was I had an epiphany. Before I was even playing the guitar, I would create these lists of how I would record things and overdub them, like Led Zeppelin song, 'I could put this guitar on this track...' and so on.
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When you walk the track and you see a corner and realise you were going round it at 160mph, you wonder who could be so stupid to take a corner at that speed. But in the car, you don't even think about that.
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It comes from saying no to 1,000 things to make sure we don't get on the wrong track or try to do too much.
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Americans make more trash than anyone else on the planet, throwing away about 7.1 pounds per person per day, 365 days a year. Across a lifetime that rate means, on average, we are each on track to generate 102 tons of trash. Each of our bodies may occupy only one cemetery plot when we’re done with this world, but a single person’s 102-ton trash legacy will require the equivalent of 1,100 graves. Much of that refuse will outlast any grave marker, pharaoh’s pyramid or modern skyscraper: One of the few relics of our civilization guaranteed to be recognizable twenty thousand years from now is the potato chip bag.
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I can't run forever. I decided to go back to school for my degree, because I know now there's more to life than track.
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It's not words, so much, just my mind going blank and thoughts reaching up up up, me wishing I could climb through the ceiling and over the stars until I can find God, really see God, and know once and for all that everything I've believed my whole life is true, and real. Or, not even everything. Not even half. Just the part about someone or something bigger than us who doesn't lose track. I want to believe the stories, that there really is someone who would search the whole mountainside just to find that one lost thing that he loves, and bring it home.
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The beauty of running your own label and your own show is that you are in charge. I get sent a huge amount of musicfrom new and established talent every day, so if I like a track, I play it - no questions asked.
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I only found out about Eminem getting on the track like a month ago. As if the song couldn't get any better. He just slays me, he's such a genius.
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To labor rightly and earnestly is to walk in the golden track that leads to God. It is to adopt the regimen of manhood and womanhood. It is to come into sympathy with the great struggle of humanity toward perfection. It is to adopt the fellowship of all the great and good the world has ever known.
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I proceeded to prove everybody right as to how bad an economics student I was by failing as an assistant manager in every theatre I went to that hired me, both as an assistant manager and as an actor. I lost money and tickets, and I couldn't keep track of anything. So eventually they fired me from assistant-manager jobs, but kept me on as an actor.
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I accidentally produced a Willow Smith track!
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The only good grades I ever got in school before I was kicked out were for creative writing. I thought that fiction might be in my future but then my career took a different path once the Beatles showed me what a blast being in a band could be. Writing my memoir Late, Late at Night reminded me how much I love the craft. So I decided to give fiction a shot again.Magnificent Vibration is the result. I’m still not quite sure where it came from, but once I got going, it practically wrote itself. I’ve heard writers I admire speak of that phenomenon, so maybe I’m on the right track.
