Track Quotes
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I say you are a coward and you are; I think you hunt only to reassure yourself that you are not what you are: the weakest thing to ever walk the Earth. He will come for me and then we will be gone, and you will be helpless for all your hunting, because Westley and I are joined by the bond of love and you cannot track that, not with a thousand bloodhounds, and you cannot break it, not with a thousand swords.
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It is a peculiarity of knitters that they chronically underestimate the amount of time it takes to knit something. Birthday on Saturday? No problem. Socks are small. Never mind that the average sock knit out of sock-weight yarn contains about 17,000 stitches. Never mind that you need two of them. (That's 34,000 stitches, for anybody keeping track.) Socks are only physically small. By stitch count, they are immense.
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Working with the editor on the set means that it is possible to keep track, at every moment, of the exact temperature of the trajectory of the scene - and know precisely what is required to continue, or precede, the action already shot. Like building a giant jigsaw puzzle. This is a freeing procedure because one is divested of all the options that might otherwise hamper one's choices. Clarity is possible. And that means one can relax into each shot, knowing the clear boundaries of where it might end or begin. And with relaxation, comes play.
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Immediately we were all like - this sounds like Won’t get fooled again ! And that was the track done really.
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Things are steadily coming better, but I'm having problems with a few places on the track.
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Grubb goes back, back... He's under the warning track and makes the play.
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I'm measuring my actions against that inner voice that for me at least is audible, is active, it tells me where I think I'm on track and where I think I'm off track.
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I remember going onstage on Broadway in this Leigh Bowery thing for a track like "Ich Bin Kunst." I've got breasts, this latex dripping down on my head, and I come out in a box. I just remember the audience looking really horrified because Rosie O'Donnell was trying to sell the show as sort of Pippin and Annie. She was saying it's a family show.
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The extent of my personal BMX adventures were all [on] dirt tracks. But just the aesthetic of it that early-to-mid-'80s BMX is something that's just part of me.
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Every Bass Communion track is based on a single sound source. Increasingly I find that I'm really interested in taking a particular sound and it's almost like solving a problem. If I have a sound, the problem is how can I create a piece of music from this one sound source?
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I'm a quite erratic person: From setups to actually when I'm doing a track, it's just turning and switching and changing all the time.
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You can't move the sun, and you can't even move the tracks, so you have to do something else to better light the engines.
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When everything in your life is right on track, it's easy to believe that things happen for a reason. It's easy to have faith. But when things start to go wrong, then it's very hard to hold on to that faith. It's hard not to wonder who's reasons these things are happening for.
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We are focused on features, not products. We eliminated future products that would have made the complexity problem worse. We don't want to have 20 different products that work in 20 different ways. I was getting lost at our site keeping track of everything. I would rather have a smaller set of products that have a shared set of features.
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Imagination must constantly run on a new track or it becomes lifeless. A living imagination is essential to prayer.
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I am completely focused on being strong, riding fast, and enjoying myself. With the new generation of riders, only the chronometer counts. I need to be faster than them on track.
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I strongly agree with Vice President Gore that we cannot drill our way to energy independence, but must fast-track investments in renewable sources of energy like solar power, wind power and advanced biofuels...
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Most of my records are very dense, composition-heavy, and there's bits of different kinds of music like an acoustic ballad, instrumental trio pieces, and vocal tracks.
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The definition of flexibility is being constantly open to the fact that you might be on the wrong track.
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I hadn't said goodbye. It had been easier, like always, to just disappear, sparing myself the messy details of another farewell. Now, my fingers hovered over my track pad, moving the cursor down to his comment section before I stopped myself. What was the point? Anything I said now would only be an afterthought. Elizabeth who goes by her middle name
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I thought of collaborating with other people which still might happen at this point. It might not. I was just trying to break the cycle because I had gotten to a point where I was definitely sure that I was on the wrong track after about 16 years.
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That hope that was given, that joy that was given, the millions of blessings and favor. Whatever I needed, He provided. Whatever I wanted, He said yes to it many times; and that made me know that I was serving the right person and that I was on the right track.
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I think if you look at almost every year under every president over the last, I don't know, 20, 30 years, you're going to be hard-pressed to find a year in which the majority of Americans thought we were on the right track.
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I always feel like I am on the dark side of the tracks. I feel I'm no good. I can't read.
