Track Quotes
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A lot of the Beatles albums were very various, and we did it on purpose: We didn't want the next track to sound like the last one.
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When you find yourself beginning to feel a bond between yourself and the people you photograph, when you laugh and cry with their laughter and tears, you will know you are on the right track.
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I have been clear in my position for quite a while, but the Chinese have not responded. Therefore, we are now in the process of holding a referendum on our policy among all the Tibetan community in exile and even inside Tibet, to check whether the majority thinks we are on the right track.
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At one time I'd been to every park except Baltimore and Houston, but can't even keep track of who plays where these days.
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The most recent evidence ... suggests that the economic expansion remains on track.
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I listen to a lot of different kinds of music and rather than just doing one thing when I make an album, the challenge to myself is to write all these diverse tracks, but to make them work. It's like a jigsaw because if you've got a lyrical track going into a hard rock track... it's got to work. You've got to write things that will work together.
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I'm an emotional person. I'm not going to deny that. If I feel a certain way, I'll express it on the track.
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I really believed that I was on the right track, but that did not mean that I would necessarily reach my goal
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'Blue Monday' is a dance track with a hint of melancholy.
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You better check your playlist. Because you are on the wrong track.
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The most personal track would have to be 'Love The Way We Used To.' It's one of the songs that I listen to outside of all the records that I wrote.
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Lay down the axe; fling by the spade; Leave in its track the toiling plough; The rifle and the bayonet-blade For arms like yours were fitter now; And let the hands that ply the pen Quit the light task, and learn to wield The horseman's crooked brand, and rein The charger on the battle-field.
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I like working together with different producers. Of course the process is different, producing a new track is like creating something all new, while reworking an already existing track is more like giving your own twist to the record.
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I've watched and learnt from DJs and remixers and paid way more attention to how I want my voice to sound. Before, as long as it was loud and in tune it was fine. I've discovered the difference made by various microphones and effects, so each track has a different vocal sound, my voice is woven into everything and it's above everything.
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I used to race at the YMCA in Crystal Lake, Illinois, they used to have a dirt track there, and there was also a track near Rockford, Illinois, that I would go to.
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Barcelona is a special track. I have always loved the layout of the circuit, but also the atmosphere and the fans are special. It has always been good fun.
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She didn't like the off-track the first time. I think she just runs better on the dry track.
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Classical education has deformed everything, and has imposed upon us as geniuses men of correct, facile talent, who follow the beaten track.
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I love surprises and coincidences. I love them even more when I don't pass them off as luck, but rather recognize them as a sign that my life's course is right on track.
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All I can do is just do stuff while I am alive and hopefully that track record will speak for itself.
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All music done, as I said, through low res mp3 and $5 earbuds and so I think as a producer or a band you want your music to sound good in that medium. Sometimes when I'm doing a mix I'll listen to it on my laptop, on the crappy speakers on my laptop. It lets me know what the tracks gonna sound like if someone else listens to it that way.
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We had wanted to use a final sample to finish the twelve-inch track off, “That’s All Folks!” from the Warner Brothers cartoons. But we were quoted $30,000 for one use. And we were on their label. Just shows you . . . no favouritism.
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Water. Its sunny track in the plain; its splashing in the garden canal, the sound it makes when in its course it meets the mane ofthe grass; the diluted reflection of the sky together with the fleeting sight of the reeds; the Negresses fill their dripping gourds and their red clay containers; the song of the washerwomen; the gorged fields the tall crops ripening.
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It's a weird sound inspired by a hip hop drum loop. I listen to a lot of hip hop tracks and it's not used quite often in House currently. I chopped up the loop and edited it so you wouldn't recognize the original.
