Track Quotes
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I'm just protecting my children and making sure I pull them in the right direction so they don't end up like me with having to go through all that hardship. They may not survive so it's all about putting them on the right track.
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I like reading for things. I've shown up for jobs before where I haven't read for them, and there's something kind of intimidating about that - where the first words they'll hear from me are when they call "action." There's something about actually going in and earning a part and going, like, "Okay, they really liked what I did, and so I'm on the right track."
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Just start off with the same goals in mind. If you have the same values, same goals then you'll be on track for the same future.
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I'm measuring my actions against that inner voice that for me at least is audible, is active, it tells me where I think I'm on track and where I think I'm off track.
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US policy toward Cuba [at the time] had two tracks. Track 1 was to assassinate Fidel Castro. Track 2 was to subvert the regime through people-to-people contact.
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I'm a very competitive person. I always have been. And it's hard to be competitive about something as amorphous as acting. But you can be competitive on the track, because the rules are very simple and the declaration of the winner is very concise.
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'Firestarter' was like that. Keith heard the track as an instrumental and thought it was wicked and said he couldn't wait to dance to it on stage. He sat down there for a while and then said 'I would love to put some vocals on this'. We put the actual words down in a London studio, and I can't explain the feeling me and Keith got that night, driving home listening to the tape, playing it over and over again. I knew then it was something original, that I had achieved something.
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I have a song I wrote called “Autobiography.” I came from a very intense living situation, with having a parent on drugs and not having a lot of money. So I always want to talk about the real things. But I think 90 percent of my music, I want it to be 'feel-good music'. I'm already recording tracks for my album, but when it comes time to actually say, 'this is the album,' I may be in a completely different space than I'm in right now.
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You imagine that I look back on my life's work with calm satisfaction. But from nearby it looks quite different. There is not a single concept of which I am convinced that it will stand firm, and I feel uncertain whether I am in general on the right track.
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The extent of my personal BMX adventures were all [on] dirt tracks. But just the aesthetic of it that early-to-mid-'80s BMX is something that's just part of me.
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Grubb goes back, back... He's under the warning track and makes the play.
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Every Bass Communion track is based on a single sound source. Increasingly I find that I'm really interested in taking a particular sound and it's almost like solving a problem. If I have a sound, the problem is how can I create a piece of music from this one sound source?
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I remember going onstage on Broadway in this Leigh Bowery thing for a track like "Ich Bin Kunst." I've got breasts, this latex dripping down on my head, and I come out in a box. I just remember the audience looking really horrified because Rosie O'Donnell was trying to sell the show as sort of Pippin and Annie. She was saying it's a family show.
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I am completely focused on being strong, riding fast, and enjoying myself. With the new generation of riders, only the chronometer counts. I need to be faster than them on track.
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I hadn't said goodbye. It had been easier, like always, to just disappear, sparing myself the messy details of another farewell. Now, my fingers hovered over my track pad, moving the cursor down to his comment section before I stopped myself. What was the point? Anything I said now would only be an afterthought. Elizabeth who goes by her middle name
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In itself, I spent a year writing, you know all these different songs and when it came to recording the record, I just pulled out all the tracks I liked the most.
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A journal is a great way to keep track of what happens daily in your walk with God and to record your prayers and thoughts.
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The Russians can't change us or significantly weaken us. They are a smaller country. They are a weaker country. Their economy doesn't produce anything that anybody wants to buy, except oil and gas and arms. They don't innovate. But they can impact us if we lose track of who we are.
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Well, the first thing I do is I try to listen to whatever rapping is already on the track. I listen for cadence and melody to see how the track's already been written, and to make sure that whatever flow or flows I decide to run with, or patterns or melodies that I decide to put into the song, that they're not already in there. Then I try to see if there's a different part of the subject matter that I can talk about.
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All I can do is just do stuff while I am alive and hopefully that track record will speak for itself.
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Don't keep forever on the public road, going only where others have gone and following one after the other like a flock of sheep. Leave the beaten track occasionally and dive into the woods.
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I'm a quite erratic person: From setups to actually when I'm doing a track, it's just turning and switching and changing all the time.
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So there are two separate tracks. One track is for the Syrian government and the opposition that is interested in a peaceful future of Syria to come together for national unity, for the political process. At the same time, it is a requirement for everybody to stop supporting the extremist groups, to stop allowing them safe passage, to stop allowing them to receive weapons, to stop allowing them to receive financial assistance, and to come together in actually fighting them.
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Things are steadily coming better, but I'm having problems with a few places on the track.
