Track Quotes
-
The reason the middle section switches to third person is, well, this is middle age. This is the part in her life where she loses track of something that was driving her and has to figure out what's going to drive the next part of her mission, this mission to be an author. I had to push back away from her for a while before we could come up to that really lyrical close third in the final section.
Danielle Dutton
-
It's a weird sound inspired by a hip hop drum loop. I listen to a lot of hip hop tracks and it's not used quite often in House currently. I chopped up the loop and edited it so you wouldn't recognize the original.
Martin Garrix
Area21
-
We had wanted to use a final sample to finish the twelve-inch track off, “That’s All Folks!” from the Warner Brothers cartoons. But we were quoted $30,000 for one use. And we were on their label. Just shows you . . . no favouritism.
Peter Hook
New Order
-
There is nothing harder to estimate than a writer's time, nothing harder to keep track of. There are moments—moments of sustained creation—when his time is fairly valuable; and there are hours and hours when a writer's time isn't worth the paper he is not writing anything on.
E. B. White
-
I like to piece together different guitarists, unlikely bedfellows. You have Jonny Greenwood playing next to Nile Rodgers on the same track, so it becomes like an orchestra of sounds.
Bryan Ferry
Roxy Music
-
I've done songs, which have gone out to other artists or whatever, with me singing on, but they're just demos. There is a song called CANDY IN YOUR HANDS, which I think nearly became a Def Leppard B-side. It's got me playing on it and singing, cause no one else performed on the track. So, not in a Def Leppard sense, but we always release "rare" songs, so there's always a chance.
Rick Savage
Def Leppard
-
No matter gay, straight or bi, lesbian, transgendered life, I'm on the right track baby I was born to survive.
Lady Gaga
-
Well, finally, the events I've been through have been tremendously complicated. All kinds of characters have come on the scene, and strange things have happened one after another, to the point where, if I try to think about them in order, I lose track.
Haruki Murakami
-
Compression is a necessary evil. The artists I know want to sound competitive. You don't want your track to sound quieter or wimpier by comparison. We've raised the bar and you can't really step back.
Butch Vig
Garbage
-
I like reading for things. I've shown up for jobs before where I haven't read for them, and there's something kind of intimidating about that - where the first words they'll hear from me are when they call "action." There's something about actually going in and earning a part and going, like, "Okay, they really liked what I did, and so I'm on the right track."
Luke Grimes
-
Look in the mirror. The face that pins you with its double gaze reveals a chastening secret. You are looking into a predator's eyes. Most predators have eyes set right on the front of their heads, so they can use binocular vision to sight and track their prey.
Diane Ackerman
-
Track and field, because it was something I could do by myself, one-on-one, me against everybody else.
Jim Thorpe
-
I've sung since I talked, when I'm two, but what I sang was ballads, because it's very hard to do a dance track with your little acoustic guitar when you're a kid.
Gloria Estefan
Miami Sound Machine
-
'Firestarter' was like that. Keith heard the track as an instrumental and thought it was wicked and said he couldn't wait to dance to it on stage. He sat down there for a while and then said 'I would love to put some vocals on this'. We put the actual words down in a London studio, and I can't explain the feeling me and Keith got that night, driving home listening to the tape, playing it over and over again. I knew then it was something original, that I had achieved something.
Liam Howlett
The Prodigy
-
The locomotives are black. The coal is black. The tracks are black. The night is black. So what am I going to do with color?
O. Winston Link
-
There are a lot of hackers today, you know, and they perform their work in such a filigreed and delicate manner and they can show their "tracks" anywhere and anytime. It may not even be a track; they can cover their activity so that it looks like hackers operating from other territories, from other countries. It is hard to check this activity, maybe not even possible. Anyway, we do not do that at the national level.
Vladimir Putin
-
I have often urged my young friends, when faced with an adversary, to "play polo" with him; i.e., not to go at him bald-headed but to ride side by side with him and gradually edge him off your track. Never lose your temper with him. If you are in the right there is no need to, if you are in the wrong you can't afford to.
Robert Baden-Powell
-
In itself, I spent a year writing, you know all these different songs and when it came to recording the record, I just pulled out all the tracks I liked the most.
Joseph Michael Poole
