Onstage Quotes
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I only wore makeup when I went onstage.
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I like television medium because it feels like we're doing a play, and I learned how to act in theater school, so that comes very naturally to me, this format. I like that people can laugh out loud when we're working. I like that we can make mistakes, unlike being onstage, where you can't.
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I'm actually relaxed onstage. Totally relaxed. It's nice. I feel relaxed in the studio too. I know whether something feels right. If it doesn't, I know how to fix it. Everything has to be in place and if it is you feel good, you feel fulfilled.
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'You Can't Take It With You' has eighteen people onstage at one point. Musicals entail a larger collaboration, and I love that.
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I expect if you're a professional public speaker, you probably wouldn't want to go onstage and sing and play drums.
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When I'm onstage, I'm more in the audience in my head than I am on the stage.
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It's always been great to be onstage. It's really effortless up there. It's not a lot of work.
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Jay-Z called me onstage during my song that I produced for 'Watch the Throne?' That was surreal, man. One of those situations I'll never forget. I'll be able to show my kids the footage of when Jay-Z brought me onstage.
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In the early days, we just wore black onstage. Very bold, my dear. Then we introduced white, for variety, and it simply grew and grew.
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When I run on stage now, a thousand people don't even see you, they're in their phone.
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My goal was becoming the next David Copperfield. I learned how to be a performer by emulating him as a kid - his formula of just talking to people onstage, being free to improvise, being charming and witty with a crowd, together with great, beautiful magic.
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I am up there onstage alone with that guitar. I don't have to consider no one else and whether they are comfortable. I need very little.
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Once I get onstage the tension explodes and I'm fine. I'm in another world - in a trance almost, doing what I love best, expressing myself through guitar.
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Not my biggest fear, but my biggest problem onstage is over-emphasizing what I do. I'm pushing too hard. You need to engage an audience. They need to be able to involve their own imaginations as well. They don't need everything thrust down their throat, and I have a tendency to do that. I always have had a tendency to do that.
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We have such an energetic live show. We have so much fun onstage. We swap instruments. We might possibly be the sweatiest band in the business.
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The more you work in this business as a comedian, the closer you get to just being yourself onstage, on camera, the more well received you are.
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When I get onstage in a play, I feel very safe, very protected, very fulfilled.
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They are sweating as much as anyone onstage. Their focus has to be that of somebody working on the balance beam. We're all three in sync. We have to feel what the other is doing. One lifts me up, the other, side to side. They're like puppeteers almost.
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I design a lot of things that I wear onstage, but I'm always looking for unique stuff. I like creative things, so anything I can find at a secondhand costume shop to a Helmut Lang store, it doesn't matter - just unique stuff.
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When you go onstage, you go on there to have a good time, and you smile and you engage with the audience and you invite them in.
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It's thrilling to be onstage and to not know, literally, what the next moment is going to bring. To just submit to the not-knowing-ness of it.
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It's the same thing now. When I go onstage the young people scream and holler as much as the older generation.
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A life being enacted onstage is a thing of utter fascination for me. And acting, it may begin out of vanity, but you hope that it's taken over by something else. I hope I've climbed over the vanity hurdle.
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To me the most important thing is getting into a studio and making an album that is 12 or 14 amazing songs, getting up onstage, and making people happy by livening the rock.
