Photography Quotes
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The world of the cinema and of painting are very different; precisely, the possibilities of photography and the cinema reside in that unlimited fantasy which is born of things themselves... a piece of sugar can become on the screen larger than an infinite perspective of gigantic buildings.
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In terms of digital photography, I continue to print and use film for the most part. I still shoot with film, 21/4 film specifically, and I love it. I love it because I know what it does, how it really responds to light.
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Photography is one of the most authentic and integral modes of expression possible in this world in which we live.
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The only advantage of the CD is that you have a booklet that can tell a bit of a story, but the little covers are just boring. I love vinyl, and I have loads of it. It's the same thing as digital photography versus film photography. It's a quality thing.
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The technique of 35mm photography appears simple. One is beguiled by the quick viewing and operation, and by the very questionable inclination to make many pictures with the hope that some will be good.
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Wilderness, to me, is a spiritual necessity. The mysterious spiritual experience of being close to natural restored my soul after the death of his son. My experience reinforced by dedication to use the art of photography as an inspiration for others to work together to save nature's places of spiritual sanctuary for future generations.
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It has been important to me, as an historian of photography, to understand photography by photographing.
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To communicate requires that those who view the work also understand. Fortunately, people respond to visual stimulus on more than one level. Abstraction, for instance, has always played a big role in artistic expression, and it is becoming more accepted in photographs. There’s nothing new about abstraction in painting, but for some reason people respect painting more than photography. This might be because photographs are so widely used by the media in this culture that they are regarded as mere ephemera… you look at a photograph once and then turn the page
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All painters are interested in photography to a certain extent.
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I want to really study and learn about fashion, and kind of discipline for a few years, really start to study, and then probably start my photography career. I feel like that'd be really good for me - to disappear for a few years.
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Photography teaches us to see, and we can see whatever we wish. When I take a photograph, I make a wish. I was always looking for beauty.
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I have often thought that if photography were difficult in the true sense of the term - meaning that the creation of a simple photograph would entail as much time and effort as the production of a good watercolor or etching - there would be a vast improvement in total output. The sheer ease with which we can produce a superficial image often leads to creative disaster.
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One of the elements of photography is, just by nature, journalistic. It's some kind of documentation. The most successful pictures to me are with an interesting looking girl. They're not being provocative. They're just presenting their drugs to you, showing you what they take. There's a good-looking girl, but here's this thing about her that's not so cool. It makes you feel a little uneasy.
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I'm a photographer and retoucher from Sweden. I use photography as a way of collecting material to realize the ideas in my mind.
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In my teens I was interested in photography. Then I decided that I should learn something about the world of commerce. And I came to America at age 17 to escape Europe. I went to NYU - nothing better than being 17 years old and coming to New York.
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Black and white photography is truly quite a 'departure from reality', and the transition from one aspect of visual magic to another was not as complete as many imagine.
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Often while traveling with a camera we arrive just as the sun slips over the horizon of a moment, too late to expose film, only time enough to expose our hearts.
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Once digital came, I could see my images instantly right there on the camera. I think that makes you a better photographer because you can see right there if your subject's eyes are closed or if you exposed it wrong and if it's too bright or dark. You can fix it right here. With film, you wouldn't know until you got the prints back if something was messed up, and then there was nothing you could do. That was a huge advantage.
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For me it is clear that photography prizes should be for those being photographed and not for the photographers.
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I get so confused about life photography art.
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[Photography is ] likewise even French impressionists. So the Sculls bought pop. It was politics, and they moved with it. And I think that could be happening, to some degree, with photography, too. It doesn't cost as much to do it, either.
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Photography has the capacity to provide images of man and his environment that are both works of art and moments in history.
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When I was just starting out, I met Cartier-Bresson. He wasn't young in age but, in his mind, he was the youngest person I'd ever met. He told me it was necessary to trust my instincts, be inside my work, and set aside my ego. In the end, my photography turned out very different to his, but I believe we were coming from the same place.
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I took courses at USC in film editing and art direction and photography when I was still in high school.
