Photography Quotes
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The ‘machine-gun’ approach to photography – by which many negatives are made with the hope that one will be good – is fatal to serious results.
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I think I’ve said this before many times—that photography allows you to learn to look and see. You begin to see things you had never paid any attention to. And as you photograph, one of the benefits is that the world becomes a much richer, juicier, visual place. Sometimes it is almost unbearable — it is too interesting. And it isn’t always just the photos you take that matters. It is looking at the world and seeing things that you never photograph that could be photographs if you had the energy to keep taking pictures every second of your life.
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Contemporary art photography, or, more specifically, what I would term mainstream art photography, represents for the most part the mining of an exhausted lode.
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Photography has always been a passion of mine, but I began to study light field photography when I was in the Ph.D. program at Stanford University.
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Photography is the product of complete alienation.
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I feel more like a creative artist using photography because there's - the digital work is so interesting now. It's come to that. I have had many different stages of photography - there are many different ways to take photos. But I feel now I'm in that stage of my life where I use the camera, you know, in that way.
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If you want to photograph a man spinning, give some thought to why he spins. Understanding for a photographer is as important as the equipment he uses.
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The raw materials of photography are light and time and memory.
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I love photography... I'd like to write a show about photography.
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Photography has a huge impact. But no one looks at photographs either. Those not looking at the life itself what can they see in a photograph? I do not take photographs for people to look and be impressed. I photograph what I see. Some see. Some don't.
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It is a cruel, ironical art, photography. The dragging of captured moments into the future; moments that should have been allowed to be evaporate into the past; should exist only in memories, glimpsed through the fog of events that came after. Photographs force us to see people before their future weighed them down.
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Photography makes one conscious of beauty everywhere, even in the simplest things, even in what is often considered commonplace or ugly. Yet nothing is really 'ordinary', for every fragment of the world is crowned with wonder and mystery, and a great and surprising beauty.
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Photography allows you to be a part of the action and document stories. It is a perfect extension of my body. I can take it pretty much anywhere and tell a story with a photograph.
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I think there's a general confusion that my work is about types of photography. But really that's just a tool to introduce some questions I have about seeing. What happens when all of these conditions and structures and histories and cultures and tools you have around you begin to fail? On the one hand there is an engagement with histories and cultures, and on the other, there is this very lonesome space of actually coming to terms with seeing.
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Photography has always been important to me for that, being able to make sense of something or understand something or remember something or laugh at something.
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I forget nothing and then, one day, there will be revenge. Innocence isn't exactly everywhere. But I will say innocence also takes you far in photography.
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How do you find a way to say what an extraordinary experience it is to be alive in this world? That is the kind of subject matter I try to work with.
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I have often thought that if photography were difficult in the true sense of the term - meaning that the creation of a simple photograph would entail as much time and effort as the production of a good watercolor or etching - there would be a vast improvement in total output. The sheer ease with which we can produce a superficial image often leads to creative disaster.
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I got really excited about finding new ways of using video, and the immediacy is different, in a way, than painting and photography. The creativity comes with the editing. You can layer and cut and paste. I really love that it's like another form of making my smaller collages but in video form.
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Wilderness, to me, is a spiritual necessity. The mysterious spiritual experience of being close to natural restored my soul after the death of his son. My experience reinforced by dedication to use the art of photography as an inspiration for others to work together to save nature's places of spiritual sanctuary for future generations.
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Only recently serious research into the relationship between photography and art has taken place. Why has it been so long in coming ? “In some respects historical research is analogous with that of science. The bringing to light of factual material and the development of ideas is to a large extent cumulative.[…] But when artists themselves were, from about 1910, beginning to tear down the bastions protecting Art in its ivory tower, questioning the idea of Art with a capital ‘A’, photography was inevitably to assume a new stature both in the eyes of artists and the public, too."
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My main camera is a Nikon D3. I use a French camera from the 1800s for wet plate photography, I use a Hasselblad sometimes. But to me the camera really doesn't matter that much. I don't have a preference for film or digital.
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This is the way photography can be cruel... in the sense that it describes everything, even the things we are not necessarily aware we're revealing.
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I can see today that the same sort of issues lie behind taxidermy and photography. Taxidermy consists in preserving a bird in full flight... In the same way, photography halts and freezes motion and life.
