Photography Quotes
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More and more are turning to photography as a medium of expression as well as communication. The leavening of aesthetic approaches continues. While it is too soon to define the characteristic of the photographic style today, one common denominator, rooted in tradition, seems in the ascendancy. The direct use of the camera for what it can do best, and that is the revelation, interpretation, and discovery of the world of man and of nature. The greatest challenge to the photographer is to express the inner significance through the outward form.
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I loved photography but was frustrated by the limitations of cameras. When trying to take a picture of a friend's young, active daughter using my DSLR, it was impossible to capture the fleeting moments.
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When I started using the extreme short depth of field and single point of focus, I was trying to replicate my changing eyesight. We have binocular vision; one eye perceives space from the other. I don't experience a scene visually at F32. It's more like F1.4.
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I never went to school for photography and started when I was pretty young. I was somewhere around 12 or 13. I started photographing as a hobby and carried that hobby through high school and university.
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Over the years, photography has been to me what a journal is to a writer - a record of things seen and experienced, moments in the flow of time, documents of significance to me, experiments in seeing.
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For me, the act of photography is all about discovery and finding new things.
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Once digital came, I could see my images instantly right there on the camera. I think that makes you a better photographer because you can see right there if your subject's eyes are closed or if you exposed it wrong and if it's too bright or dark. You can fix it right here. With film, you wouldn't know until you got the prints back if something was messed up, and then there was nothing you could do. That was a huge advantage.
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People say photographs don't lie, mine do.
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When I was starting out, conceptual photography had become something that had to be amateur - like, that had to be black-and-white, or photocopied, or really not an object in order to be taken seriously. It had to work against technical mastery, and so on. So I think that my work is full of obstacles in the sense that it does look highly familiar and accessible. It does look like it's already "solved at first sight." It does look like it's part of a larger industry.
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I opened up Shutterstock to the whole world. I created a contributor community that anyone could give stock photography a shot.
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I was born on a tiny cot in southwestern Massachusetts during World War II. A sickly child, I turned to photography to overcome my loneliness and isolation.
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Nothing seemed to me more appropriate than to project an image of our time with absolute fidelity to nature by means of photography.
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My main camera is a Nikon D3. I use a French camera from the 1800s for wet plate photography, I use a Hasselblad sometimes. But to me the camera really doesn't matter that much. I don't have a preference for film or digital.
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There are people who expect me to look the way I do on-screen, where I have a great director of photography and fantastic lighting. I'm sorry to disappoint people, but I don't look like that all the time - no actress does.
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I never tried to revolutionise photography; I just do what I do and keep my fingers crossed that people will like it.
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Photography is linked with death in many different ways. The most immediate and explicit is the social practice of keeping photographs in memory of loved beings who are no longer alive. But there is another real death which each of us undergoes every day, as each day we draw nearer to our own death. Even when the person photographed is still living, that moment when she or he was has forever vanished.
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Photography is such an important instrument in the education of our feelings and perception because of its duality. Photography represents the world we know, and suggests a world beyond what we can see. Creativity is the gap between perception and knowledge.
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I don't like how women's bodies are Page 3 news. I just don't think that's big news. Women's bodies are women's bodies, and that's that. And I love to see beautiful - the female form in great art and great photography.
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Photography has every right and every merit to claim our attention as the art of our age.
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There are people who like photography; there are people who are worrying about what's going to happen with the dollar. They want to get anything that seems hard. I don't know, but I think it's got to do with economics. Now and then you get somebody who buys a picture because he likes it.
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In my teens I was interested in photography. Then I decided that I should learn something about the world of commerce. And I came to America at age 17 to escape Europe. I went to NYU - nothing better than being 17 years old and coming to New York.
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Photography is a unique art that allows people to go back, not only to rediscover themselves but also to get something in print for the first time.
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It is a cruel, ironical art, photography. The dragging of captured moments into the future; moments that should have been allowed to be evaporate into the past; should exist only in memories, glimpsed through the fog of events that came after. Photographs force us to see people before their future weighed them down.
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Photography was a blessing because it filled my time. If I had to start over, I'd pursue photography - probably to the exclusion of acting.
