Photography Quotes
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I loved photography but was frustrated by the limitations of cameras. When trying to take a picture of a friend's young, active daughter using my DSLR, it was impossible to capture the fleeting moments.
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Photography as a subject is a good one. Its history is only about 150 years... You only have to know about twenty-five or thirty names and that's it. All you need. In painting there are more than 1,000.
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There are people who like photography; there are people who are worrying about what's going to happen with the dollar. They want to get anything that seems hard. I don't know, but I think it's got to do with economics. Now and then you get somebody who buys a picture because he likes it.
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Photography is the very conscience of painting. It constantly reminds the later of what it must not do.
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When I got to NYU, I immediately inquired about doing a double major in acting and photography.
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But slowly I began to use cameras and then think about what it was that was going on. It took me a long time, I mean I actually played with cameras and photography for about 20 years.
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[Photography is ] likewise even French impressionists. So the Sculls bought pop. It was politics, and they moved with it. And I think that could be happening, to some degree, with photography, too. It doesn't cost as much to do it, either.
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If you want to photograph a man spinning, give some thought to why he spins. Understanding for a photographer is as important as the equipment he uses.
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I never went to school for photography and started when I was pretty young. I was somewhere around 12 or 13. I started photographing as a hobby and carried that hobby through high school and university.
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There are some elements of digital photography that I don't really like, such as the fact that you see the results immediately.
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I'm a huge, huge fan of photography. I have a small photography collection. As soon as I started to make some money, I bought my very first photograph: an Henri Cartier-Bresson. Then I bought a Robert Frank.
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I'm really interested in photography, like every other human being.
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I often say I've spent more time with photography than I have with literature just in terms of hours.
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People say photographs don't lie, mine do.
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Photography was so perfectly suited to my sensibility and situation, it gave me a voice, a kind of crazy, out-of-whack voice, at the beginning, but a voice. I could finally put into images bottled up feelings of absurdity and alienation - and also joy and delight.
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Photography - the new, rapid, concrete reflector of the world - should surely undertake to show the world from all vantage points, and to develop people's capacity to see from all sides.
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I love photography. And I just eat it up. I feel like I'm an encyclopedia, you know, inside.
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What I like best about underwater photography is giving a visual voice to the invisible. What I like least is the prospect of drowning.
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I can see today that the same sort of issues lie behind taxidermy and photography. Taxidermy consists in preserving a bird in full flight... In the same way, photography halts and freezes motion and life.
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Growing up, I didn't give my grandfather's photography a second thought. I wasn't involved in his work, except that I helped my dad print his negatives.
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I don't just look at the thing itself or at the reality itself; I look around the edges for those little askew moments-kind of like what makes up our lives-those slightly awkward, lovely moments.
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I don't like how women's bodies are Page 3 news. I just don't think that's big news. Women's bodies are women's bodies, and that's that. And I love to see beautiful - the female form in great art and great photography.
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I opened up Shutterstock to the whole world. I created a contributor community that anyone could give stock photography a shot.
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All painters are interested in photography to a certain extent.