Arthur Schopenhauer Quotes
That the outer man is a picture of the inner, and the face an expression and revelation of the whole character, is a presumption likely enough in itself, and therefore a safe one to go on; borne out as it is by the fact that people are always anxious to see anyone who has made himself famous. Photography offers the most complete satisfaction of our curiosity.
Quotes to Explore
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One of the strangest experiences one can have is to sleep on stage, as I once did in Sydney when I'd lost the key to my flat. I had to stay at night in a bed, which conveniently was on stage because my character Sandy Stone did his monologue from a bed. To wake up looking at a shadowy auditorium is a very peculiar feeling.
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I've heard people tell me there's never been a gay character like Agron on TV before, and some fans have even thanked me because they now feel like they have a gay action hero, and it's very endearing to hear that kind of stuff. But I just played him the way he was and tried to do right by the character.
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It's really interesting working in television as opposed to the theater, where you know the arc of the character and you are able to create this whole backstory.
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Mining is a dangerous profession. There's no way to make a mine completely safe: These are the words owners have always used to excuse needless deaths and the words miners use to prepare for them.
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The analysis of character is the highest human entertainment.
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I think I would have been so much in awe of the movie set, the people and what everybody's job was, that I don't know if I would be able to concentrate on the character.
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When we were subjected to a vicious character assassination campaign orchestrated by senior White House officials and championed by their allies in the right-wing echo chamber, Hillary reached out to us. Her counsel during that tumultuous period was as timely as it was wise.
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You know, I'm from the South, and I wasn't interested in perpetuating a stereotypical southern character.
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Religious beliefs have played a vital role in forming America's character as well as my own. I was raised as a Lutheran, and I believe in God and consider my faith and involvement with organized religion to be an important part of who I am.
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Slater's a big star and he's been in the business a long time. He's always in a good mood and easygoing but he takes his character very seriously.
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If I love the character, then that's all that matters to me. It doesn't really matter what genre it is.
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In the history of photography, we have many masterpieces in terms of black and white books. You have Bresson's 'Decisive Moment,' Frank's 'The Americans'... many masterpieces. But there is nothing to this caliber in color. Well, I think I'll waltz with my muse and hope that I might be able to produce something on this order in color.
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Villains never know they are villains in a picture so I play this like I'm the nicest guy in the world.
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When we think of the ideal, we do not add virtue to virtue, but think of Jesus Christ, so that the standard of human life is no longer a code, but a character.
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I think Bond the character is distinct: He's British, he has a certain code that he lives by, he's incorruptible... he's a classical hero, but he's also fallible. He has inner demons, inner conflicts, and he's a romantic.
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If you let your fear of consequence prevent you from following your deepest instinct, your life will be safe, expedient and thin.
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With Connery, he does act. He is in complete command. He completely trusts the person first, then the instrument. I've worked with his son also, on a picture in Russia.
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Paint the essential character of things.
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I want to play someone really dark, like a real bad guy on screen. But I am sure I won't be able to do so because my fans will not let me do it. They are aggressive. My image is such that no one will allow me to do a negative character.
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Some believers, as though from a drinking bout, go so far as to oppose themselves and alter the original text of the gospel three or four or several times over, and change its character to enable them to deny difficulties in the face of criticism. (Against Celsus 2, 27)
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If you don't define the problem you'll never reach a painful solution.
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To create jobs, a modern economy requires modern investments.
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And by the way I don't object if people want to attack me, that's their right. All I'm suggesting that it's not going to be very effective and that people are going to get sick of it very fast. And the guys who attacked each other in the debates up to now, every single one of them have lost ground by attacking.
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That the outer man is a picture of the inner, and the face an expression and revelation of the whole character, is a presumption likely enough in itself, and therefore a safe one to go on; borne out as it is by the fact that people are always anxious to see anyone who has made himself famous. Photography offers the most complete satisfaction of our curiosity.
