Painting Quotes
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Self-expression is impossible in relation with other men; their self-expression interferes with it. The greatest heights of self-expression in poetry, music, painting – are achieved by men who are supremely alone.
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Ken Noland would use concentric circles; he'd want to get them in the middle of the painting because it's the easiest way to get them there, and he want them there in the front, on the surface of the canvas. If you're that much involved with the surface of anything, you're bound to find symmetry the most natural means.
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Contrary to what many Westerners believe, Islam has a rich tradition of secular painting in spite of its ban on images. It is only in religious rituals that the use of pictorial representation is totally prohibited.
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When I look at a body I know it gives me choices of what to put in a painting; what will suit me and what won't. There is a distinction between fact and truth. Truth has an element of revelation about it. If something is true, it does more than strike one as merely being so.
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Futurists wanted to suggest movement by means of a dynamic painting; Duchamp applies the notion of delay - or, rather, or analysis - to movement.
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I think music has gone through a period of something very severe, rather radical, rather the way painting did with cubism.
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Well, one always has an instinct to be a painter, and I've done quite a lot of painting at one time or another, though not with any public success.
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The new plastic idea thus correctly represents actual aesthetic relationships. To the modern artist, it is a natural consequence of all the plastic ideas of the past. This is particularly true of painting, which is the art least bound to contingencies. The picture can be a pure reflection of life in its deepest essence.
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Does art have a future? Performance genres like opera, theater, music and dance are thriving all over the world, but the visual arts have been in slow decline for nearly 40 years. No major figure of profound influence has emerged in painting or sculpture since the waning of Pop Art and the birth of Minimalism in the early 1970s.
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Photography has arrived at the point where it is capable of liberating painting from all literature, from the anecdote, and even from the subject. In any case, a certain aspect of the subject now belongs to the domain of photography. So shouldn't painters profit from their newly acquired liberty, and make use of it to do other things?
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I will keep painting until I die.
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Kandinsky points out in his book On the Spiritual in Art that Theosophy (in its true sense; not as it generally appears) is yet another expression of the same spiritual movement which we are now seeing in painting.
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He drove his kind of realism at me so hard I bounced right into nonobjective painting.
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Before anything else, I started painting bulls and matadors. That was my initiation to paint.
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I don't vote. I voted Labour once, in that moment of euphoria. I know that if people only made a voice for change, then change will happen, but I'm not that person. I'm painting pictures.
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Together let us desire, conceive, and create the new structure of the future, which will embrace architecture and sculpture and painting in one unity and which will one day rise toward Heaven from the hands of a million workers like the crystal symbol of a new faith.
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I wrote as a kid, but I never wanted to be a writer, particularly. I had been drawing and painting for years and loved that.
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A first-rate soup is more creative than a second-rate painting.
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It is not a certain conformity of manners that the painting of Van Gogh attacks, but rather the conformity of institutions themselves. And even external nature, with her climates, her tides, and her equinoctial storms, cannot, after Van Gogh’s stay upon earth, maintain the same gravitation.
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We share a huge visual memory bank, mostly through painting and other images in history. I think when a modern photograph taps into those, sometimes very subliminally, it makes people respond.
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Abstract painting seeks to be a pure pictorial language, and thus attempts to escape the essential impurity of all languages: the recourse to signs or forms that have meanings shared by everyone.
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A movie is painting, it's photography, it's literature - because you have to have the screenplay - it's music. Put a different soundtrack to a comedy and it's a tragedy. A movie combines all those forms and forces you to pay attention for two hours with a group of people.
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Painting does more than just point to things. The very act of pointing is a value statement.
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I'm in deep in everything, every moment of the day. I create the systems and oversee every aspect of the execution. Every mark on a sculpture and every brush-stroke on a painting is in a controlled situation, exactly as they'd be if I'd have done them myself.
