Record Quotes
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	My first record came out in 1961 and then I had one come out in 1962 and then I had two that came out in 1964.   
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	I write not to record what I think but to discover what I think   
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	Some people are still not into us. That makes sense. We haven't really done a lot of press. We haven't put ourselves out there in ways that a lot of people would know we are still around. Unless you tour or record, they don't know you are around.   
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	I just write... if it's really good, it's going on the record. If it's average, it's going in the trash.   
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	Writing this record was the first time we felt really at home in a long time   
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	The lowest and vilest alleys of London do not present a more dreadful record of sin than does the smiling and beautiful countryside.   
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	People assumed we called the record 'Murray Street' because of its proximity to the World Trade Centre, but that wasn't it at all. Before the attacks, I had simply been walking around taking pictures of things, and I had this photograph of the street sign. We felt it was somewhat evocative and decided to use it on the back cover of the album.   
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	He is a people person and is very talented, as indicated by his proven track record.   
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	What I have learned from studying counterfactual history is that the law of unintended consequences always kicks in no matter how secure you are in your plan. We have to live with the historical record as it is, like it or not.   
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	For the record, I am not a nut. I am an optimist. That's exactly like a nut except with a better attitude.   
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	I didn't want the record to be cold and I don't think it's cold at all. I felt it was very people oriented.   
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	The Bible is not a script for a funeral service, but it is the record of God always bringing life where we expected to find death. Everywhere it is the story of resurrection.   
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	The only thing that's changed for me is that I've figured out a new way to do this; when I go to record, I like to do the drums last, if that makes any sense to you.   
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	The record business has always mystified me. Sometimes there are reasons why things sell or don't sell that can't be understood by mere mortals.   
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	Set the stage, record, then listen.   
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	When I start working on an idea, I immediately record without judging it.   
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	Under no circumstances will any supporter try to tell me what I should do. That is why I have the track record that I have got.   
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	The biggest reward from that record was the enthusiasm everyone had to sing on it. The Grammy nominations and the chart positions are great, but ultimately the way you interact with other musicians is the most important thing to me.   
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	I'd forgotten what it was like to play music and have it be fun so I decided to stop. I wasn't even sure if I was going to make a new record, I was just kinda quitting.   
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	I believe it is the photographer's function to reveal that which is concealed, even if it be repugnant to the majority, not merely to record what we see around us.   
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	I think that when I did the Methods Of Mayhem record, some of the hip-hop stuff probably freaked a lot of Motley Crue fans out.   
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	It is to aid in making the arts operative rather than only positively or negatively pleasurable... it is to paint a record, in so far as I am increasingly capable, of man's deepst capacities... I seek to paint of how form manifests its subtlest quality named 'idea.   
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	As far as we're concerned, we're always Sonic Youth, and we're always making a Sonic Youth record. We just see it so much more as a continuum than a periodic thing. We're just in the studio making the next record, and we don't relate it to anything other than what's going on at the moment.   
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	My main concern is making the connection with my listeners and making records that the whole world can sing. That's what makes me happy.   
 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					 
					