Record Quotes
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You can't really come into a concept record objectively, because you immediately associate it with Yes, stuff from the 1970s that punk rock kicked against, the pretentiousness.
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When you're making the record, you're not thinking about an audience, but you still need them and you want them.
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In America, at least, we have a pretty good record for behaving in a fiscally responsible fashion, with one exception - namely, the fiscal irresponsibility that prevails when, and only when, hard-line conservatives are in power.
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It was two extremes of influence being put next to each other: the most electronic music we have on the record and the most old, out-of-style music we have on the record.
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When you're sequencing a record, you want the listener to stick with it from beginning to end, and in order to do that, you really have to map out the journey from the first song to the last.
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Once I got into punk rock, I started mail-ordering albums, because a lot of the record stores in my area didn't carry the punk bands from England or Sweden or Chicago or Los Angeles.
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The Radiohead record, 'The Bends' is my all-time favorite record on the planet.
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I made the record, and I sent it over to Jay Brown, who was working on Rihanna's album. He was like, "Send me that record for Rihanna."
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Andrew Ridgeley and I had demoed a couple of our songs very cheaply, and we weren't expecting any kind of record deal. We just walked around with our demo tape, trying to find someone to give us the money to demo properly. Instead of that, we got a record contract. It was just an incredibly lucky break.
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Pretty much every record I've ever done, I can go back and listen to them and be proud. I'm proud of everything I've done.
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It's much easier to be successful than it is to be relevant. The tricks won't keep you relevant. Tricks might keep you popular for a while, but in all honesty, I don't know how U2 will stay relevant. I know we've got a future. I know we can fill stadiums. And yet with every record, I think, 'Is this it? Are we still relevant?'
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Prior to me, no one in my family is in the field of IT, but I can feel that my brothers are following my footsteps very anxiously and enthusiastically. They are posing a constant challenge to my world record.
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I think all musicians and producers, they know the real goal is to come up with a record that is entertaining and not boring, that's the goal. I think if everyone agrees that that's the goal then it doesn't matter who's the band and it doesn't matter who's the producer. It just means that that you try to realise the ambition no matter what the situation is or who the people are.
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"Rock Candy" was my first record. I had never been in a studio, so I was in shock and I had no idea if it was great or if it stunk. I was just putting in my heart and soul, and closing my eyes and keeping my fingers crossed. I gave it everything.
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Owner Red McCombs has a track record for dumping teams - he owned both the NBA's Spurs and Nuggets at various times - and his stadium situation just isn't going to get resolved in the Twin Cities. Even some of his fellow owners have him No. 1 on the relocation list. I think Red might sell, ... He's been known to sell before.
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There's no excuse for having a mental or creative block in sound. You can just go out and collect things in the real world - they make the sound, not you. It's very restricting to always use a library for sound effects. It's much more interesting and freeing to go out and record new sounds because you never know what you're going to get.
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I made this record without a record label.
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I got me a hit record and I ain't never made a cent from it.
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When the recording button was on, I was just young and I don’t want to say naïve but I just wasn’t used to it. And it just took me years to gain the confidence going in there and really laying it down. So from that first record to where I am at now is like night and day.
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In the USA, it's harder for a black man with no criminal record to find a job than a white man with a criminal record, which is to say that race is actually a bigger factor than ex-felon status. But if you're both, it's almost impossible to find a job.
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Hospice is sort of told like a dream, where things are constantly transforming and confusing, time is arbitrary and illogical, locations become different locations. The record’s about life becoming indistinguishable from a dream, or in this case, recurring nightmares.
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You put an old Misfits record on, and it sounds like it came out yesterday.
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Part of me believes that the completed record is the final measure of a pop musician's accomplishment, just as the completed film is the final measure of a film artist's accomplishments.
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My track record after winning a tournament is abysmal, ... I'll be ready. I'll be nervous tomorrow. The win makes it great. But even if I didn't win, I think I would be just as juiced as I am right now.
