Record Quotes
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I really want to work on a record of mine and I'm just getting inspiration from different sources like one of my favourite bands, Led Zeppelin, and Radiohead.
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When we've got something to say to the world, we will. I'm really happy that people are interested. "So, what's up with the Pixies record? So, what's up with the Pixies record?" One guy just kept asking me and asking me in an interview, and I kept saying, "I just got done telling you no, there's nothing to report."
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It's much easier to be successful than it is to be relevant. The tricks won't keep you relevant. Tricks might keep you popular for a while, but in all honesty, I don't know how U2 will stay relevant. I know we've got a future. I know we can fill stadiums. And yet with every record, I think, 'Is this it? Are we still relevant?'
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My school music teacher, Al Bennest, introduced me to jazz by playing Louis Armstrong's record of "West End Blues" for me. I found more jazz on the radio, and began looking for records. My paper route money, and later, money I earned working after school in a print shop and a butcher shop went toward buying jazz records. I taught myself the alto saxophone and the drums in order to play in my high school dance band.
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You could put this record on and not get jarred half-way through. I wanted it to be all cut from one cloth, and that was the way we took it through the whole production process.
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When you're sequencing a record, you want the listener to stick with it from beginning to end, and in order to do that, you really have to map out the journey from the first song to the last.
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I've never made a record that didn't sound better than what was in my head - that's sort of my rule.
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Well, I don't let anyone record with me that is not a fan of mine or believe in my music. Everybody that records for me, from Bob Dylan on down to George Jones, everybody loves me and my music, and I knew they would do their best that they could do, and they did. I didn't doubt them a bit. There's some country people that I wouldn't want, which didn't record with me.
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The Book of Mormon was written for us today. God is the author of the book. It is a record of a fallen people, compiled by inspired men for our blessing today. Those people never had the book. It was meant for us.
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I always knew I was a hit record just waiting to happen.
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You can make the best record in the world but if no one knows it’s there then you’ve done it as a hobby.
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I just write... if it's really good, it's going on the record. If it's average, it's going in the trash.
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Prior to me, no one in my family is in the field of IT, but I can feel that my brothers are following my footsteps very anxiously and enthusiastically. They are posing a constant challenge to my world record.
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I was only halfway to the record and it seemed like it took me a long time. I feel like that one will never be broken. That record will never be touched.
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You put an old Misfits record on, and it sounds like it came out yesterday.
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The record business has always mystified me. Sometimes there are reasons why things sell or don't sell that can't be understood by mere mortals.
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I don't recall what the first record I bought was, but I definitely remember hearing Creedence's 'Born on the Bayou' and going out and buying it. The guitar and drums in that band were really good. I loved the words to the title track, and Fogerty's voice sounded just great.
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We got on American Bandstand, where kids would dance to a record and then rate it. We called ourselves Tom and Jerry. I was Jerry.
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Don’t Tell a Soul was our least honest record and we made it under duress.
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I'm usually going to make a record, finish a record, start a record or start a tour or between tours.
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For the record, I Iike Jay-Z. That's my opinion.
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I'm always blowing the speakers out in studios, like, there's smoke coming out of them. I found out that I'm not built for studio monitors. I record and mix down everything in the headphones and then I bring it to the speakers.
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Hospice is sort of told like a dream, where things are constantly transforming and confusing, time is arbitrary and illogical, locations become different locations. The record’s about life becoming indistinguishable from a dream, or in this case, recurring nightmares.
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Making that record was one of the greatest musical moments in my life.
