Mike Will Made It (Michael Len Williams II) Quotes
Quotes to Explore
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I'm not keeping track, but the record is there for someone to break.
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If we didn't get the record, we didn't exist.
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I am a record executive and I shall be right there in your face with my records.
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I have been playing acoustic music for a very long time, and it's something that I am very comfortable doing, so if I made a record, it would probably be a mixture of that and some other things that I'm interested in.
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Amazon has historically been a bully, and I don't shop there. But I love Goodreads. For the record.
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In the studio you can auto tune vocals, and with drums, you can put them on a grid and make them perfect. I hate that sound. When someone hands me a record and the drums are perfectly gridded and the vocals are perfectly auto tuned, I throw it out the window. I have no interest in rock music being like that.
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Every film is a puzzle really, from an editorial point of view.
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When you work with somebody, either the puzzle piece fits, or it doesn't.
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Maybe some people, when they sit down to write their great novel or make their great record or paint their great painting, they have it all planned out in their head. But for me, it's never worked that way.
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Denver and Boulder are good record-buying cities. I don't know why.
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If you're part of a record company, you're a manufactured product. It doesn't mean that you're not talented.
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I'm very conscious of people having pretty short attention spans: I know, I'm guilty of it. I'm 17 now: what happens by the time I'm 21, am I a burn-out or something? Will they still listen to my record?
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I can't write another breakup record. That would be a real cliche.
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Just because a record has a groove don't make it in the groove.
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When I was 13, I told my dad I needed to record myself because I sounded awesome, even though I didn't. By 18, I was a lot better. Then I got a publishing deal, so I was writing songs for other people professionally.
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Every great leader of the past, whose record I have examined, was beset by difficulties and met with temporary defeat before 'arriving.
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One comes, and one goes. Basically, what you leave behind is the record.
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Things go in waves, and I might make a record every three years. That's enough for me, that satisfies me. And it satisfies the so-called public, because they don't really need a record every year. They don't even want one. There's other stuff out there for them to listen to.
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I'm all for bootlegging. A record costs $20 . . . who can afford that?
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Set the stage, record, then listen.
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Angling may be said to be so like the mathematics that it can never be fully learned.
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Putting together a hit record is like putting together a puzzle.
