Record Quotes
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To me photography can be simultaneously both a record and a mirror or window of self-expression the camera is generally assumed to be unable to depict that which is not visible to the eye and yet, the photographer who wields it well can depict what lies unseen in his memory.
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Everything is an idea for something, something that touches the imagination, a fact that seems relevant or maybe just a statement I find interesting — either because it resonates or because I disagree. All of it is fodder for continued work or thinking on the topics. It’s also important to me to record the ideas that my instincts tell me are bad.
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There are so many people that put their heart in soul into making this record a reality.
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They've maintained their unbeaten record between the legs.
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It takes so long to make a record and then it takes so long again to release it.
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Owner Red McCombs has a track record for dumping teams - he owned both the NBA's Spurs and Nuggets at various times - and his stadium situation just isn't going to get resolved in the Twin Cities. Even some of his fellow owners have him No. 1 on the relocation list. I think Red might sell, ... He's been known to sell before.
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The reporters are needed to validate the historical record.
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I made the record, and I sent it over to Jay Brown, who was working on Rihanna's album. He was like, "Send me that record for Rihanna."
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Part of me believes that the completed record is the final measure of a pop musician's accomplishment, just as the completed film is the final measure of a film artist's accomplishments.
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Putting together a hit record is like putting together a puzzle.
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There's poetry in being the band that can sell out Wembley but also makes a record in a garage. I don't like doing what people expect me to do.
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I’m half crazy but I know the Devil real. I should know, I signed a record deal.
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I made this record without a record label.
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I realized that the people I want to impress most are already in my band. If I just do my best and try to write great songs and then collaborate with these guys and try to make a great record, that's my best path to success.
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Ah, 'Pather Panchali' was the most inspiring film that I wrote music for, and it was so spontaneously done. I saw the film, composed on the spot, along with myself and only four other musicians, and everything was done within 4-1/2 hours, I think an all-time record anywhere.
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When you're trying to sell something -- and we took a fairly big record deal when they were still going around -- we felt a lot of pressure to live up to that and perform. I think that at this point, we're a lot happier just playing live music. We might well get to do another record, but I personally wasn't as thrilled with the major record label experience.
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I never thought of myself as capable of stirring up - generating - the actual drumroll for a record, you know, all the press.
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What I have learned from studying counterfactual history is that the law of unintended consequences always kicks in no matter how secure you are in your plan. We have to live with the historical record as it is, like it or not.
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Some people are still not into us. That makes sense. We haven't really done a lot of press. We haven't put ourselves out there in ways that a lot of people would know we are still around. Unless you tour or record, they don't know you are around.
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Under no circumstances will any supporter try to tell me what I should do. That is why I have the track record that I have got.
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I'm always blowing the speakers out in studios, like, there's smoke coming out of them. I found out that I'm not built for studio monitors. I record and mix down everything in the headphones and then I bring it to the speakers.
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Any form of a winning record in the conference is an accomplishment.
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I had 25 or 30 songs. Sequencing the record, I left that to the producer. I'm not into doing that stuff.
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The record business has always mystified me. Sometimes there are reasons why things sell or don't sell that can't be understood by mere mortals.
