Liam Howlett Quotes
When I was 14 years old, I used to record stuff off the radio and do mixes with the pause button on my cassette player. I’ve always loved doing mixes. I never liked sport or anything like that. Mixing tunes together was just what I always wanted to do...
Quotes to Explore
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I know there are a lot of people out there who have the best intentions but not the voice, so it's about people like me to give them a voice and hear their ideas.
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I want to find a way to speak to the broadest audience possible.
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I intend not to do an item song ever. I find the term 'item songs' bizarre. I do not want to comment on its presence and its popularity, but I would rather avoid it.
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I don't think anything I've written has been done in under six or eight drafts. Usually it takes me a few years to write a book. 'World's Fair' was an exception. It seemed to be a particularly fluent book as it came. I did it in seven months. I think what happened in that case is that God gave me a bonus book.
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As I get older, the present and the past shift and become the past and the future... A lot of it is a new awareness of time and life and the wheel of fortune crushing you and lifting you and crushing you and lifting you.
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On the field, you have to be aggressive; you're thinking how to get the better of a situation. It's not that I don't laugh on the field. In fact, I think it's very important to laugh, especially when you are angry and aggressive, to just take the tension away, make the moment go away.
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Why grab possessions like thieves, or divide them like socialists when you can ignore them like wise men?
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When I first started making music, I was all about wordplay and how fast I could rap, but over the years, I've really gained an appreciation for melody. What's cool is that when you're singing, you have to be concise, and when you're rapping, you have the opportunity to be really detailed with your lyrics.
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One of the reasons my name is Rushdie is that my father was an admirer of Ibn Rush'd, the 12th century Arab philosopher known as Averroes in the West. In his time, he was making the non-literalist case for interpreting the Koran.
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In the long run, I believe that honesty is definitely the best policy. One can get away by being dishonest for a short term, but ultimately, honesty is what pays.
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You don't make houses cheaper by making them more expensive to build.
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You know, my mum's always encouraged me and never made my gender an issue, I guess. She brought me up to believe in equality, as opposed to feminism or sexism – so it just meant that my gender was not relevant to what I was capable of achieving.
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The reason why bookstores are going out of business in the States is that people just can't focus on longer narratives now - even narrative film is in crisis in many ways, unless it's an adventure film.
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In all three cases, and for most human beings, the problem of suffering poses no difficult problem at all: one has a world picture in which suffering has its place, a world picture that takes suffering into account.
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I tell people all the time, as I was going through my process of being a comedian or being an actor and a writer at 'SNL,' I tell people that everything you do is all a piece of your puzzle to determine where you're going to end up at.
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The Louvre for me is a wonderful experience. Because it continues; it didn't get cut off. It was actually a continuous involvement all the way, and a lot of people have come and gone, come and gone; but I'm still here.
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Once something is memorable, it's living and you're using it. That to me is the foundation of a creative society.
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We're fighting to be ourselves in a world that's trying to make us like everyone else.
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Okay - the world needs its cogs, all of them; and even a cog may say how it gets used. In fact, only a cog may determine its eventual meaning in the system. That's what I wanted to tell you.
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When I got a million subscribers, it just sort of snowballed from there because a lot more people show interest. They're like, 'Who's this? They've got a million subscribers; maybe I'll like their channel.'
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It's pretty high up there on the list. Being able to return a serve at that speed is one of the biggest things that separates the professionals from the recreational players.
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When I was 14 years old, I used to record stuff off the radio and do mixes with the pause button on my cassette player. I’ve always loved doing mixes. I never liked sport or anything like that. Mixing tunes together was just what I always wanted to do...
