Record Quotes
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The only thing that's changed for me is that I've figured out a new way to do this; when I go to record, I like to do the drums last, if that makes any sense to you.
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They've maintained their unbeaten record between the legs.
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The Rockwell magazine cover was more a part of the American reality than a record of it.
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I didn't want the record to be cold and I don't think it's cold at all. I felt it was very people oriented.
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A record for us that sells 50,000 is a good record, and 100,000 is a serious hit.
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Some people are still not into us. That makes sense. We haven't really done a lot of press. We haven't put ourselves out there in ways that a lot of people would know we are still around. Unless you tour or record, they don't know you are around.
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Remember the Bob Dylan rule: it's not just a record, it's a movement.
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I think it's safe to say that 50% of the record buying metal community is people between the ages of 16 and 25 - people still in their teenage-angsty, early young-adult years.
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For every Foo Fighters record, we've had two or three beautiful, acoustic-based songs, but they never usually make their way to the record, because we want to make rock records.
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Over the years, photography has been to me what a journal is to a writer - a record of things seen and experienced, moments in the flow of time, documents of significance to me, experiments in seeing.
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I'm not a philosopher so why should I provide anyone with the answers? I'm just a musician, I don't have any solutions. All I'm doing is questioning the status quo, with every record I've made, to a certain extend.
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I never thought of myself as capable of stirring up - generating - the actual drumroll for a record, you know, all the press.
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[Columbia House] magazines were how I found out about the punk world going on in New York. Because of what I read, at the age of 15, I hounded the local record store to order a copy of Horses [1975] for me by Patti Smith.
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What I have learned from studying counterfactual history is that the law of unintended consequences always kicks in no matter how secure you are in your plan. We have to live with the historical record as it is, like it or not.
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When the recording button was on, I was just young and I don’t want to say naïve but I just wasn’t used to it. And it just took me years to gain the confidence going in there and really laying it down. So from that first record to where I am at now is like night and day.
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I'm hoping to play some of the songs that we didn't get to play on the headline tour we just did. I think we really want to play all the songs on the new record. It's hard to choose between them, but I think we'll pick a couple that we haven't played live so far.
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Under no circumstances will any supporter try to tell me what I should do. That is why I have the track record that I have got.
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On an animated television series, you pretty much read the script as written. Whereas on an animated feature, you'll sometimes record the same scene multiple times over the course of a year as the filmmakers continue to tweak that part of the movie.
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To me the Mahabharata is a profoundly religious book, largely allegorical, in a way meant to be a historical record.
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I collect records pretty assiduously, so I've got, like, a massive record collection. I still DJ.
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I had 25 or 30 songs. Sequencing the record, I left that to the producer. I'm not into doing that stuff.
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Faith is a record of great risks taken.
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Since no daily responses are given from heaven, and the Scriptures are the only record in which God has been pleased to consign His truth to perpetual remembrance, the full authority which they ought to possess with the faithful is not recognized unless they are believed to have come from heaven as directly as if God had been heard giving utterance to them.
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Writing this record was the first time we felt really at home in a long time
